“Seth material” search engine (Jane Roberts)

[...] It’s like it was all black and white then. [...]

[...] The ideas of your society often make certain ideas invisible to you, though they are given in black and white. [...]

[...] They seem to have white hair or blonde hair. [...]

[...] This serape bears alternating bands, each one perhaps four inches wide, of white, red and blue.

[...] With perhaps dim dark  overtones, or dim gold overtones in a lighter color, with a gray white. [...]

(“Or dim gold overtones in a lighter color, with a gray white.” [...]

(Falling off to sleep, I saw very clearly a dark brown doorknob that was on a white door. [...]

Ruburt will want to know if the door is closed, so tell him because I want our friend over here in the bridal white (Maria) to realize that each of you should realize that the energy and strength and vitality that rings through this frail form now rings also through that form and that form and that form and represents the energy and vitality that belongs to each of you, and you all have it to draw upon. [...]

[...] This time I cemented a collection of used U.S. postage stamps, still on original paper, to a folded piece of white paper. [...]

He has a white shirt on. [...]

[...] See also my tracing on page 1. The card is on white stock, printed in black ink, with the handwriting in black pencil. [...]

[...] A large white, or pale pastel building, they had something to do with today. [...]

[...] I “saw” a white-covered table, with an item on it. [...]

[...] With a smile:) When you want to express darkness you might paint your canvas with black instead of your magic white (a la William Alexander), so that then the use of lighter colors upon it will indicate more clearly the quality of light, at least for the painting’s purposes. [...]

[...] The systems are more like the various segments of a tangerine, with the uncamouflaged boundary areas like the white membrane between the tangerine sections.

[...] Ruburt’s previous position about the dishes was black or white. [...]

[...] Often, however, you both have a tendency there to think in black-and-white terms.

[...] He found a mixed world—one hardly black or white, one with some considerable give-and-take, in which under even the most regrettable of circumstances there was (underlined) room for some action, for some improvement, for some decision, for some creative response. [...]

[...] (It is in the mail but hasn’t arrived, due to the postal strike.) With his literal mind, he wants to see it in black and white.

[...] This was quite vivid; there were highlights of blue and white in his hair, which was black; I also remember the highlights on the side of his face, and the skin texture. He wore a blue or black suit coat, white shirt, dark tie. [...]

[...] It cannot be classified, it cannot be named, it cannot be set down in black and white. [...]

[...] The edges of the pages are not white. [...]

[...] A pale yellow on the walls rather than the white would be of benefit, in that room, you see. [...]