“Seth material” search engine (Jane Roberts)

The universe expands, as I have said before, as an idea expands; and as sentences are built upon words, in your terms, and paragraphs upon sentences, and as each retains its own logic and continuity and evidence within that framework, so do all the portions of the universe appear to you also with the same cohesiveness (dash) — meaning continuity and order. Any sentence is meaningful. It seems to fall in order by itself as you say it. Its order is obvious. That one sentence is (underlined) meaningful because of its organization of letters, or if it is spoken, its organization of vowels and syllables. It makes sense, however, not only because of the letters or vowels or syllables that are used within it, but because of all of the letters or vowels or syllables that it excludes.

[...] Beside that there are significances in the vowels and syllables and sounds that will be explained to you as you learn what they are through experience. [...] The vowels and syllables do affect you differently, not only as a group, but individually, and they are meant to. [...]

[...] A sentence is built up as words, parts of speech, verbs, and adjectives, subjects and predicates, vowels and syllables, and underneath there is the entire structure that allows you to speak or read to begin with. [...]

(11:22.) While you can only speak one sentence at a time, and in but one language, and while that sentence must be sounded one vowel or syllable at a time, still it is the result of a kind of circular knowledge or experience in which the sentence’s beginning and end is known simultaneously. [...]

without the vowels

[...] Vowels and syllables exist as light as validly as they exist as sound.

Vowels and syllables build up their own kind of (in quotes) “light pattern,” or light picture, again, that you do not perceive. [...]

(Very loud.) I want you to climb the vowels and syllables of this voice as if they were indeed a ladder, and let them carry you into dimensions that are native to you, dimensions that are yours by right, that are your heritage; (really booming) dimensions of awareness that you carry within you both day and night, beneath the level of your ordinary days. [...]

I’ve always transferred my life to letters,
and one day it will reside
exclusively in written nouns and vowels,
clean paragraphs
distilled from mysterious life’s days.
Even before death’s event
I plan my mind’s resting place
as if there is a second life
in thought’s products that defies
the brain’s shorter span, and rises
sans blood, flesh, hand or eye,
self-contained, truly alive at last;
like some mental balloon
set on a safe course finally
through unexplored skies
when the hand that holds it
lets it go.

[...] One way of doing this would be to take several steps away from the language that you know to get into somewhat unfamiliar territory and to learn your way there, and then to be taken further down the primrose path where little by little the vowels and syllables themselves would disappear until you are at the pure sound and beneath that with true feeling. [...]

Now I bid you all a fond good evening, and I hope you meet many Sumari in your sleep and hopefully in the waking state and I hope that you read this session well, for when you see the words written down you will also hear what is between the words and hidden within the vowels and syllables. [...]

Climb up my words then, rush up the vowels and the syllables and let them form for you a ladder of energy by which you can send. [...]

[...] Your associative processes find a certain feeling of safety and familiarity, leaping upon this vowel and this syllable. [...]

[...] It never occurs to him to wonder how many vowels or syllables, words and sentences, paragraphs or pages might be involved. [...]

(Long pause, eyes closed.) Such attitudes and dire misinterpretations often occur as mistakes in reading life, as if you insert an extra vowel or syllable that does not belong, but change the interpretation of an entire passage. [...]

of unspoken vowels and syllables,

(“I feel that a whole mass of people would visualize a pyramid in their imagination,” Jane said, “then through their chanting, the use of certain vowels and pitches, they actually changed the air where that building was going to be. [...]

[...] The placement of emphasis, the vowels and consonants, the length of time to utter them, all of these issues are intimately connected with your own nervous systems, and with the intervals inherent within your time system, between thought and action.

[...] Computations go on constantly within it, and that communication involves an inner kind of language innocent of symbols and vowels. [...]

[...] The atoms and molecules were alive, aware—they were no longer simply a part of a divine syntax, but they spoke themselves through the very nature of their being (gesturing). They became the living, aware vowels and syllables through which consciousness could form matter.

into rainbow vowels that sing

[...] The chant, however, the vowels and syllables used in pronouncing the chant, are highly important and evocative. [...]

[...] They are also connected with your ability to utter vowels, and they are themselves sensitive to sound.