“Seth material” search engine (Jane Roberts)

(Here Jane’s voice began to get louder and to deepen as she paced back and forth. Although there was quite a change, her voice did not reach either the depth or volume of the previous session.)

[...] By now Jane’s voice had regained its normal tone, though it was a bit hoarse. [...] Jane began to get an answer to this, and when she began dictation her voice was normal. [...]

[...] Your voice is too sensitive and rough this evening for me to attempt any transformation of it into the more melodious accents of my own.

(Jane’s voice was by now a little deeper and stronger; but that was the extent of such phenomena for this session.)

[...] Although her eyes remained closed for the whole session, her voice was loud and at times quite a bit deeper than usual. [...]

[...] Her voice was now loud and active, with a strong edge.)

[...] Her delivery had been very active, her voice loud at times, her pace fast, her eyes closed.

(Jane resumed in the same active manner, her eyes still closed, her voice strong, at 9:33.)

[...] Jane began speaking in a rather normal voice, but before long it began to deepen and strengthen. The volume increased a little, but the lower key and a peculiar heavy monotone her voice acquired cut across the noise. [...] She maintained this heavy voice for most of the session.)

[...] She was aware of her voice phenomena, she said, and her subjective reaction to it was very similar to the way she felt during the Father Trainor episode: she felt carried away by the voice as though she was inside it, in a very light weightless state. [...]

(The heavier overtones of Jane’s voice had subsided to some degree by break time, but it still had good substance. [...]

[...] Jane was dissociated as usual for this delivery, and although her voice had maintained its rather deep monotone she had no particular feelings about it now.

[...] Her pace was quite slow at times, her voice quiet.)

[...] Her voice was stronger than usual, her pace quite slow by break time.

[...] Her pace was again slow, her voice fairly strong. [...]

[...] Her eyes were closed for the most part, her voice subsiding to average, her pace on the slow side. [...]

[...] Her voice was quiet to begin with, but where indicated it began to deepen. [...] This manifestation reminded me somewhat of the deeper voice effect Jane showed in the 172nd session. [...]

(Jane had ended the delivery in a lighter voice. She resumed in this same voice, again while sitting down and with her eyes closed, at 10:02.)

(Here Jane’s voice began to deepen and grow a bit louder. [...]

(Jane spoke while smiling, her voice going a little deeper.)

And so those people lifted up their minds and hearts and heard the voices of the earth speak to them, as they still do. The elite did not hear those voices. [...] They learned techniques, but the techniques did not bring them magic, did not allow them to really hear and understand the voice of one leaf.

“I am the voice of your world in its past and its future, and because of that I am your own voice in its past and future. [...]

[...] Those histories never spoke of the vast, massive emotions and needs of the human beings involved, who listened, because their hearts and survival depended upon their doing so, to the voices that speak within the earth that your instruments even now cannot perceive. [...]

[...] In that moment can you hear the insects sweeping across the continents and the voices of the leaves speak, and feel their echoes in your blood — and that blood lives, beyond the time. [...]

[...] Jane spoke for some little time in a repetitious voice, as a way of inducing a relaxed state within us, but no phenomena of any kind appeared. [...]

[...] Jane’s voice also tired, so to relieve her I began to speak. [...]

[...] Jane’s voice was quite loud and somewhat deeper than usual. [...]

(Seth repeated several times that he felt in fine form, and Jane’s voice and manner so indicated. [...]

(Strangely enough, Jane did not speak in an overly loud voice. [...]

(Her voice had been rather quiet, and remained so. [...]

[...] Jane resumed in a bit louder voice, with her eyes closed, at 9:57.)

[...] She lit one as she continued speaking, in a quiet voice. [...]

(Seth spoke slowly, fairly deeply and fairly loudly and the voice was accompanied by the usual Seth mannerisms.)

[...] My voice may not be melodious but I am of a sweet disposition. [...]

[...] Nor do I think that we should engage in any undue voice effects for my friend again will be upset due to the hour. [...]

[...] She began her delivery with her eyes closed, but she spoke in a rather strong voice and in a very active manner. [...]

[...] Jane’s delivery was again fast and her eyes were still closed, although her voice was quieter, when she resumed at 9:34.)

[...] Her voice was fairly loud and strong, with an edge in it, her delivery very active. [...]

[...] She said she felt as though the Seth voice was pulling her along. [...]

[...] The voice was very high, thin, formal, quite distant, and quite faint when contrasted against Seth’s delivery. The windows were open to the sound of traffic close by; this made hearing this faint voice difficult at times.)

Ours is the voice that whispers through the corridors. [...]

[...] As before now Jane began to sit quietly, hands again folded in her lap; her mouth and lips began to work again, and finally the high thin voice emerged once more. [...]

[...] Also she seems to have a quick… at least now she seems to have a quick, sputtering voice. [...] Exact voice description.) She says, and this is my impression: that’s no lie, as if that was an expression of hers. [...]

[...] The Seth voice did not show at all, nor were we aware of his presence. [...]

(Jane’s voice by now had become quite animated, without increasing in volume.)

[...] Jane’s voice trailed off and she came slowly out of trance. [...]

Mine is the hand that wrote (a long, puzzled pause, eyes closed), finis (hesitantly spelled out), to the proposition dealing with (pause, voice weaker), uncharted (voice suddenly stronger) then uncharted, aspects of... [...]

[...] Her eyes remained closed mostly; her voice was even and normal, pace fairly good with occasional long pauses.)

[...] Her voice was abruptly somewhat weaker, trailing off at times. [...]

(Jane was making many facial expressions now, along with her uneven strength of the voice effects. [...]

[...] Her voice was a bit stronger than usual, her pace faster. [...]

[...] Her pace was good, her voice a little stronger than usual, and with a trace of her brogue. [...]

[...] Her voice continued to display its peculiar brogue occasionally. [...]

[...] Jane’s voice remained quiet.)

[...] Seth’s voice was easily heard.

You exist in more dimensions than you know, and your own reality (voice quite a bit louder and stronger) transcends your understanding, and transcends the limitations of your own intellectual knowledge… (pace faster, still fairly loud) these truths must be understood intuitively…. [...]

[...] I regret that through the channels of communication my voice does not always sound as genial as I desire—a matter of vocal cords and other mechanisms.

[...] Seth’s voice was easily heard. [...]

You exist in more dimensions than you know, and your own reality (voice quite a bit louder and stronger) transcends your understanding and transcends the limitations of your own intellectual knowledge ... [...]

[...] I regret that through the channels of communication my voice does not always sound as genial as I desire—a matter of vocal cords and other mechanisms. [...]

It is vital, then, that any therapist convinces the client that while the superbeing is a self-construction, and/or that the voices are hallucinations — this does not mean that the client is insane.

[...] The therapist should make it clear that he understands that the client is not lying, in ordinary terms, when he reports hearing voices from the devil.

[...] The secondary personality may seemingly be female, however, even speaking in a feminine-like voice. [...]

[...] Although her voice sounded normal to me, Jane said that during this session even so she has a subjective feeling that her voice is different, and that sometimes it is a strain to pause in the middle of a monologue to speak to me as herself and not Seth. [...]

(Once again Jane’s voice became loud; but it was still quite recognizable as her voice.)

(By now Jane’s voice had begun to grow somewhat deeper and louder.)

[...] Jane’s voice never went beyond a certain medium deepening and a small increase in volume. [...]

[...] Her voice had again acquired a touch of that peculiar accent, or brogue as I call it. She resumed in the same active manner, with a bit louder voice, at 9:19.)

[...] She spoke while sitting down, and in a voice a bit stronger than usual. [...]

(Jane’s voice was quite amused. [...]

[...] Her voice had acquired a strong edge and had been fairly loud. [...]

(Seth promised to keep his voice quiet, which he did throughout the session. [...]

[...] Her eyes opened occasionally, her voice remained quiet. [...]

[...] This applied particularly when she was trying to voice descriptions of the geography of the lake bottom. [...]

[...] Her voice remained quiet.)