“Seth material” search engine (Jane Roberts)

(Once again, today her Seth voice was stronger than usual, with pauses.)

[...] Her eyes were closed, her voice a little stronger than usual, and her pace quite good. [...] Her voice was rather dry.)

[...] Her voice was still dry.)

(Jane resumed in a quiet voice, her eyes closed, at 10:50.)

[...] Her voice was quiet and she used pauses, although her pace picked up considerably as first break approached.)

[...] Her eyes had remained closed, her voice quiet but fast. [...]

[...] They were very dark, and her voice was quiet and fast. [...]

[...] She was smoking, and her voice was quiet and fast. [...]

[...] Her voice was quiet and clear. [...]

(Jane resumed at a fair pace and in a quiet voice at 9:28.)

[...] Her voice was average, her pace on the slow side.)

[...] She said that giving the material tonight was something like taking a test or examination, because Seth wanted her to give voice to his meaning as accurately as possible.

[...] Then, in a voice quite strong and firm, but with many pauses:)

[...] This time her Seth voice was even more forceful and confident, and she took fewer pauses. [...]

(“Why did I translate the tax resentment into the voice or mouth difficulty?”)

Simply a beautiful symbol of communication, for you wanted to voice your resentment again, but covered it over. [...]

(At times Jane’s voice grew very strong and loud, but I would not say this was its peak performance. [...] At the highest or strongest points, the voice, while powerful, was not as clear and distinct as I have heard it on other occasions—notably during the extraordinary session recorded for Dr. Instream a couple of years ago. [...]

(At the same time the table was performing so well, Jane was standing a few feet away, talking to it in a loud voice very intently, rooting very strongly for the table to resist Bill and Pat’s really strong efforts to level it out. [...]

I regret that due to our method of communication that my voice does not sound as genial. [...]

In the same fashion, the person who hallucinates the voice of God or a demon actually does so to preserve the idea of sanity in his own mind. [...]

(Once again, Jane’s Seth voice was good, with the usual pauses.)

[...] Her Seth voice was good, her delivery rather fast.)

[...] Jane’s voice had become hoarse, yet nasal. [...]

(Jane began speaking in trance while sitting on the divan, using a quiet voice, a direct manner, with her eyes open often.)

[...] (Voice quiet but firm and emphatic). [...]

[...] Instead, on Monday and Tuesday nights Jane and I were interviewed—on tape—by Jim Poett of the New York City Village Voice. [...]

[...] Jim Poett told us that the Voice will send a photographer up for pictures, so I’d figured we’d spend time worrying about that, too.

[...] She began delivery on time in a voice pitched little lower than usual, and rather strong. [...]

[...] By now, Jane’s voice had strengthened, although it was not any lower. [...]

(Jane resumed in the same good voice, again without her glasses, at 10:17.)

[...] But while you are awake this communication also goes on continually but you are not aware of it, for your ego is so focused upon physical reality and upon survival within it, that you do not allow yourself to listen to the inner voice. [...]

[...] But her voice had been considerably stronger than on the previous occasions. [...]

Believe this all has to do with the above, plus with a strange session held the night before last, in which through me the voice said it was sort of ‘beyond Seth’; the message coming from a higher portion of that personality; tremendous energy seemed to flow through me and the definite, thank God, certainty, that this came from beyond me, and was automatically translated into words at my end. [...]

[...] The presence of witnesses encouraged her; strong voice effects began to show themselves, the best in many sessions and toward the end of the Pat’s delivery, Jane achieved a projection to the Boston classroom of Pat’s special class. [...]

[...] Jane’s pace had been quite fast, much faster than usual; her voice had been deeper and stronger to some extent, her eyes open at times and very dark. [...]

[...] She has a mediocre voice, though pleasant enough. [...] She may train her voice, take lessons, while yet she is thwarted at auditions, until it seems people are against her.