“Seth material” search engine (Jane Roberts)

[...] She began dictation in a voice somewhat stronger and faster than usual. [...]

[...] Her voice was still stronger than usual. [...]

[...] I also heard voices but didn’t retain what they said. [...]

[...] After a pause, Janice Simmonds said, in a tiny choked voice, “I don’t belong here. [...]

[...] They may have no connection to others in the room; but I want (shouts) you to use the energy behind this voice for your own purposes. [...]

(Still shouting) I want you to feel the energy that is yourself rise up from the depths of your being and merge with the consciousness that you know; (quietly) and when my voice ceases its words, then I expect a spontaneous encounter with yourself and those portions of yourself that you do not recognize, and with others in the room. [...]

[...] She had shown rather subtle voice changes each time. [...] In each case there was no doubt that the voice was Jane’s.

[...] I believe the voice and the personality Jane used or displayed this evening was largely male. [...] Her voice never became loud. [...]

[...] Jane began dictation on time and in a normal voice. [...]

[...] At times her voice sounded so dry it had a rasp.

[...] Seth voice good at times. [...]

[...] The voice that does not “speak" in your terms is yours, but the instructor is not yourself as you know yourself. [...]

([Gene]: “Doesn’t this presume that the hearer is accustomed to listening to the inner voice?”)

The inner voice does not need to be listened to. [...]

[...] In what voices and what languages do truths come and in what packages and in what forms? [...] And you would throw them away for you would think the air cannot speak and space makes no noise, and in the silence there is no voice and no meaning and so voice and sound and language are given you. [...]

[...] This is not the case, of course, but while you think you need the bridges they are provided, and the Sumari are voices that call to you though they do not have sound. [...] They are yourselves speaking to you in multitudinous voices in many languages focused for you in a particular place and a particular time. [...]

(Note: Some of Seth’s voice effects were very loud—I heard Seth rather clearly through two closed doors—after I had retired. [...]

(The session is included in the regular series because of the voice effects; the fact that both Seth & his entity spoke; some new ideas from both entities; and because no regular session was held the next day, Wednesday, July 16.

[...] There was quite a bit of traffic noise even at this hour, and Jane’s voice had a stronger edge, as though to cut through it.)

[...] Her voice grew a little louder.)

[...] Her eyes were dark, her voice a little heavier and louder. [...]

[...] Suggestion, as I understand it, is the culmination of the inner voice that urges action into ever more diverse and creative patterns.

(Just before the Gallaghers left, Seth/Jane’s voice began to grow very loud just for a sentence or two. [...] The voice was somewhat unusual, Seth told us; he himself was not interested greatly in physical effects or proofs, but realized they might be necessary to us, or scientists. He was interested, he said, in effects like the voice, or Jane’s facial changes. [...]

[...] Seth’s manner was quite energetic, the voice on the strong side but not really loud. Twice in a frisky mood, the voice climbed very briefly in volume; both times this happened near the end of the session.

[...] I have separate notes on it, showing how Jane expressed voice contact with an entity professing to be a female Gallagher. [...]

[...] Jane began speaking while sitting down, in an average voice and at a good pace from the beginning. [...]

[...] Her pace had been good, her voice average, and she had smoked.

[...] Her voice was quiet. [...]

[...] Her pace had been faster than usual for the material on both tests, her voice average.

Now I wanted to say a few words and he is worried about the gentleman upstairs and wants me to keep my voice down. It is difficult for me to keep my voice down when my old friend is over there (Rachel Clayton), and if it were not too late I would have you all Mu a good loud and cheery Mu. [...]

[...] Jane began dictating on time, in a voice somewhat stronger than usual. [...]

(Now Jane began to speak with much emphasis, and if anything her voice became a little stronger. [...]

Friends knowing of our sessions have asked at one time or another that I explain what appeared first in the universe, what started it all, and they ask with such ponderous voices. [...]

(Jane’s voice remained at times quite loud, but her delivery became slower.)

[...] Jane began to speak in a halting manner, her voice dwindled, and she called my name as if in supplication. [...]

[...] Her voice was stronger than usual, but not loud.)

[...] Jane’s eyes had stayed closed, her voice good. [...]

[...] Her eyes began to open toward the end of the delivery, her pace was better, her voice still on the stronger side.

[...] Her pace was slow, her voice rather low and husky. [...]

[...] She resumed in a light and faster voice at 9:45.)

(Jane resumed in the same rather light voice and faster manner at 10:26.)

[...] Neither of us had said anything else when she resumed at 10:44, in a deeper voice.)

[...] At times during the delivery her voice had risen a bit in volume. She resumed in a good voice, still with pauses, at 9:35.)

[...] Her voice was average, her rate of delivery average also, but with pauses. [...]

[...] She resumed in a somewhat louder voice. [...]

On the other hand, the decision to have the interview (for the Village Voice), to take up with Eleanor, and so forth—these events catapult old beliefs to the forefront of Ruburt’s mind—an excellent reaction, by the way—for when those beliefs are voiced and discussed then they can be understood and eventually dismissed.

(Jane’s poem is excellent, and concerns Jim Poett’s interview for the Village Voice.)

[...] That can appear momentarily, and that is definite, if indefinable, as in my voice in this moment.

[...] The night seemed especially noisy, and Jane began speaking from the first in a heavier voice. [...]

[...] If they had noticed the rather strong Seth voice through the door—it was quite audible, we were sure—they gave no sign. [...]

[...] There is no need to experience the voice hallucinations mentioned by the author, Fox. [...]

[...] Jane’s pace had been good, her voice fairly strong, her eyes open often. [...]

[...] She began dictating in a rather husky, strong voice, and maintained it through most of the session. [...]

[...] Her voice boomed out.)

(While this sensation was developing, I heard many scattered indefinite sounds, music and voices, and had some exceedingly brief flashes of people in various postures, all too vague to identify.

[...] 7/15, 8:15 PM: A few results; vague sounds of music and voices.

(Her Seth voice was good—more “separated” from her normal voice, more distinctive, perhaps more sure, and a bit louder.)

(She then began to speak for Seth’s larger personality, using the usual high, very clear and distant voice, with an average pace, and with the usual upbeat ending of sentences. [...]

[...] The remote, cool, high and formal voice had varied little, speaking along at a rather steady pace. [...]

[...] Again without announcement the high formal voice abruptly stopped, and this was the end of the session. [...]

[...] Her voice was quieter than usual, her eyes closed.)

[...] Her voice was stronger and she said she was pretty far-out.

[...] It is one of the voices of the soul. [...]

[...] Jane said her impression of the woman in question was of a person more masculine than usual for a female, but she didn’t voice this during the session. [...]