“Seth material” search engine (Jane Roberts)

They do not visualize themselves as future parents, or as having certain careers. [...]

[...] Remember the smell of lilacs, for example, or try to hear the crisp crunch of snow, or try to visualize an ocean or lake. [...]

[...] She also had some visual effects that were hard to describe; in an effort to pin these down, she began adding to her own notes, and these are quoted at the end of the session.

(“Before break at 11:10,” Sue wrote, “when Seth told me that he was speeding up the acceleration to see if I could perceive it, I had the definite feeling of greater speed and a visual change in Jane’s body. [...]

[...] Then, shortly after supper, I had a visual experience like that described in the notes for the 534th session, in Chapter Eight. [...]

[...] Usually I get excellent results with the pendulum; I learned now that the visual-interference effects had been caused by my unsuccessful attempts to perceive a thought-form sent out by a survival personality. [...]

[...] On the other hand, I can visualize the dilemma those at the publisher’s feel when they’re being asked to print ideas that are, at least in part, so contrary to accepted belief structures in a very important field.…

The difficulty is in the construction of his images on a visual field, rather than in his perception of them. He should be able now to construct such images more faithfully, but habit and conditioning holds back, though the ability to construct images on a visual level has already improved.

Because of your own inner visual ability you should be able to have experiences along these lines yourself without too much difficulty, the only danger in your case being perhaps a possible tendency to draw in, so to speak, extra material to complete a visual composition. [...]

[...] Or if you are not particularly good at visual imagery, then try to get the feeling of thanksgiving and joy that you would feel if the problem was solved to your complete satisfaction.

[...] Especially would her glasses help conceal any visual changes accompanying a trance. [...]

“You should see him visually—either entirely objectified or in an unusually vivid inner image. [...] He is also visually oriented, you understand. [...]

In a fashion this would indeed represent a very desirable arrangement over a period of years, one that Ruburt could take advantage of, one that could serve you by also presenting you with a different framework through which to view your painting and visual world, one in which the idea of water as motion was always present. [...]

[...] Your imagination adds motivating and propelling power to such images, and so you will find that many of your beliefs are entertained by you in an inner visual manner. [...]

[...] But I found it at least roughly reminiscent of Seth’s idea of simultaneous time to watch the color broadcasts from different areas of the world each day, and then to mentally hold all of those actions, especially the backgrounds, in mind at once, visualizing them as simultaneous happenings at different places on the planet.

[...] You take its usual transmission in daily life for granted, overlooking the fact that all the physical aspects of its transmission and appearance serve to hide its basic non-materiality, and that words and printed data and moving pictures, all visual or physical symbols, are not the knowledge itself. [...]

[...] Not just technique is concerned, but the entire visual experience of his life.

[...] Certainly I don’t consciously separate visual and auditory data unless I stop to think of it, though I know I receive the information through different senses. [...]

[...] In your existence it is quite reasonable to visualize a desired event, for example, in the belief that the image and thought will help make the event physically real – and so it shall. [...]

[...] What you read, however, is in one way or another translated into other terms, so that for example your stomach reacts in its way to your reading matter, as the visual information is translated into other terms. [...]

[...] The data may make itself known in visual or auditory forms. [...]

Visualize, the both of you, changing over those accounts. [...]