“Seth material” search engine (Jane Roberts)

I painted Seth, that ageless “energy personality essence,” from a vision I had of him five years after Jane began speaking for him in 1963. [...]

[...] Ruburt instead sees a trailer by the ocean, with each of you writing and painting—his vision, because that establishment requires no housekeeping and a small cash outlay.

(Long pause.) As creative people, and as certain kinds of creative people —not being audience performers as musicians, for example—you deal with the creative construction of artistic worlds in which as your friend (painter) William Alexander would say, you are the master magician perhaps—but it is your world primarily, created according to your vision. [...]

[...] People of that nature have very private ways, and to some extent now those ways involve a deliberate (long pause) repudiation of the ordinary world—not that they need to stop relating to it, but that they must momentarily forget it in light of another vision. [...]

(While at work last Thursday, September 9, at 11 AM, I had a vision of the type described on page 223. This time, while bending over my desk, I saw with inner vision a rusty opened sardine can lying on a worn wooden shelf. [...]

[...] This will make it possible for some to obtain a clear vision of their timelessness of the self, existing in future as well as past terms.

[...] You can clear your own ears and your own vision. [...]

[...] While in this state, I had repeated visions of a man, an aged man in robes, standing before an ancient wall. [...]

[...] It seemed incongruous that I could have a “vision” of such a simple object and then not have the vocabulary to describe it.

[...] Just before you got started, I had a vision of my own.”

[...] But your vision was quicker, more limited, but very precise.”

[...] His abilities have developed along the lines of psychic-vision, as explained in The Seth Material. His projections have been infrequent, and he never gained conscious awareness of any from the sleep state until this one. [...]

[...] My vision wasn’t clear, though, and the room looked hazy. [...]

[...] Everything in my astral visions was opaque white, instead of dark.

(Malba said the state before going to sleep is a good one in which to receive visions and should also be used to suggest good health to the subconscious, to suggest that it help you as far as your work goes, and to suggest that practical daily matters will be taken care of. [...]

[...] Keep pencil and paper handy for Rob’s visions, and expand ability.

[...] We should experiment along our lines of interest: Bill with his travel experiences, Rob with his visions, me with my dreams of levitation. [...]

[...] But in this instance the vision was much better, you must admit, than it is with ordinary eyesight, since the clock that Ruburt saw well enough to tell the time was not even in the same room.

[...] Ruburt was quite capable as far as ability was concerned, to know what time it was without the addition of the vision of the clock. [...]

[...] You have a natural need to impress your world—to act through it, with it, and upon it, to illuminate it with your own vision, in which case you automatically change it for the better. [...]

[...] At the same time, Jane told me that there’s been an improvement in her color perception, even with the double vision.

(December 12, Saturday, 2:00 AM: Jane and I had been dancing, and upon retiring I saw many visions of male and female dancers. [...]

[...] Seth also said that my work would become known partly because of the source of inspiration for some of it—the visions I have that grow out of these sessions.

[...] Instead of visions of sugar plums I shall dance within your heads! [...]

[...] So science and revelation seem far apart indeed, for the revelation usually insists upon obedience to a vision that is privately received, and offers as a rule but poor evidence. [...]

You kept insisting on trying to portray new vision by using methods that could not contain it, and did not spontaneously allow your visions to flow into their own forms. [...]

[...] It can accept deviations from the ideal vision without condemning them. [...]

In this vision, the potential is seen as present, and the distance between the practical and the ideal forms no contradiction, since they coexist.

[...] She read a little in spurts of clear vision. [...]