“Seth material” search engine (Jane Roberts)

[...] Now, consciously you will not understand what I am telling you but unconsciously you will. [...]

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Dreams, Creativity and the Unconscious

I described that experience in The Seth Material, but because it rose from the world of dreams and is so connected with unconscious activity, I want to examine it from a different viewpoint here. [...]

The landlady chose, unconsciously, houses in which the deeper needs of her tenants would in one way or another correspond with her own. [...]

I have long delegated your kind of emotional activity to unconscious behavior, in your terms. [...]

[...] When an artist is painting a landscape, he might unconsciously compare hundreds of landscapes viewed in the past in multitudinous, seemingly forgotten hues that splashed upon the grass or trees, or as he seeks for a new creative combination. [...]

[...] The unconscious, in its own way, digests the initial material in the interim. [...]

You are so consciously aware of your own needs for privacy, Joseph, that Ruburt’s strong but mostly unconscious needs in these directions sometimes go unsatisfied, since he is not aware of them. [...]

[...] If nothing else, I thought the sessions presented a way of making deeply unconscious knowledge available on a consistent basis.

[...] Seth seemed to know how we could best utilize our surroundings to serve conscious and unconscious needs. [...]

[...] Had this been a valid contact within the interior universe or unconscious playacting? [...]

[...] As their instruments reach further into the physical universe, they will see further and further, but they will automatically and unconsciously transform what they apparently see into the camouflage patterns with which they are familiar. [...]

[...] The actual material from which camouflage patterns are formed is the vitality which exists and which is unconsciously used by your personalities.

This actual gathering up of prime vitality for the purpose of physical construction is not however truly automatic, and it is not truly performed unconsciously. [...]

[...] Carl Jung (1875–1961), the Swiss psychologist and psychiatrist, postulated that the unconscious of the male contains a female, archetypal (or typical, instinctive) figure called the “anima”; the correlative male form in the unconscious of the female Jung called the “animus.” [...]

[...] His conscious and unconscious mind had to be acquainted with certain ideas to begin with, in order for the complexity of this material to come through.

[...] I have long delegated your kind of emotional activity to what you would call unconscious behavior. [...]

[...] This part receives inner data, is in contact with the entity to some greater degree than you are in contact with your dreams, and actually directs all of the important functions that you think are either automatically or unconsciously controlled.

(8:58.) During this period, incidentally, mental activity of the highest, most original variety was the strongest dream characteristic, and the knowledge [man] gained was imprinted upon the physical brain: what is now completely unconscious activity involving the functions of the body, its relationship with the environment, its balance and temperature, its constant inner alterations. [...]

[...] They see it as the current necessary way to write—the in things, but most of them unconsciously understand the reasons behind the techniques, as I explained them earlier.

[...] However, my dear distortive and naughty Ruburt here not only put words into my mouth, unconsciously of course, but then said sweetly that they were not distortions.

The ache in Ruburt’s shoulder for example was an indication of nervousness; although consciously he was not bothered, unconsciously he knew that your friend would not arrive on time, and this disturbed him to some degree.

Each of you act as transformers, unconsciously, automatically transforming highly sophisticated electromagnetic units into physical objects. [...]

[...] The form of a man for example, may be a thought form, or fragment sent quite unconsciously by another individual whom it resembles. [...]

(Seth II:)(Words lost)...observed then realize that we are highly interested in such experiments as Seth is conducting, and that as we observe you, so do you, though unconsciously, observe other realities in your sleep state. [...]

[...] Your historical earth as you know it has developed in many different ways, and there is a deeply unconscious connection that unites all such manifestations.

[...] What you think now is unconsciously perceived by some hypothetical 14th-century self. [...]

[...] Unconsciously, each individual participates in forming that world. [...]

[...] At deeply unconscious levels the neurological structure is more highly adaptable than it appears. [...]

[...] The biological structure and the mental consciousness together, however, chose the most comfortable sequence in which a present area of activity, brought about by neurological recognition, would be backed up by unconscious mental knowledge and other biologically invisible neurological connections.