“Seth material” search engine (Jane Roberts)

[...] See the tracing above. [...]

(See the tracing of the envelope object on page 82. [...]

[...] As the tracing shows the knot between them is squarish, and quite small.

(Tracing of the maple leaf used as the envelope object in the 47th experiment, in the 250th session for April 11,1966.)

[...] See the tracing on page 322. The page is on white paper, and the writing on the tracing is done with the same pen I used to make the original notes. [...]

(Tracing of the photograph used in the 14th envelope test, in Session 198, October 13,1965.)

[...] See the tracing on page 107. [...]

(See the tracing of the test object, the napkin from the discotheque, on page 107.

[...] See the tracing. [...]

(Tracing of the woodblock print used in the 21st envelope test, in the 215th session for December 8,1965.)

[...] Colors on the front and back of the object are indicated to some degree on the tracing on page 16. [...]

(See the tracings of the object on page 16. [...]

[...] In back of the statue of Mother Goose is a dense, dark green pine forest, as indicated on the tracing on page 16, as well as several trees nearer the foreground. [...]

[...] See the tracing of the object on page 16. [...]

[...] Traces of my chest discomfort, re Leonard, had also come upon me at times. [...]

(See the tracing on page 169 for the test object for this evening’s envelope test. [...]

(See the tracing on page 169. [...]

(Since the test object was picked by someone other than me, I had thought that some of Seth’s connections might be difficult to trace, and it appears to be the case here. [...]

(Tracings of the sales slips used in the 25th envelope test, in the 220th session, January 5,1966.)

(See the previous pages for tracings of the two envelope objects used in the 73rd experiment this evening. The beer can cap was enclosed within my folded note; the note was written on white paper in the same color ink used to make the tracings. [...]

[...] See pages 86-88 for tracings of the two envelope objects, and the beer can. [...]

[...] See the tracing of the note I enclosed with the beer can cap in the double envelopes, on page 86. [...]

[...] Again, see the tracings of the two envelope objects on page 86. [...]

(See the tracing of the envelope test object on page 190. [...]

(See the tracing of the test object on page 190. [...]

(Tracings of the two Kodachrome transparencies of Jane that Loren enclosed with his letter. [...]

[...] See the tracing on page 124.

[...] I have indicated the window heavily on the tracing on page 124. [...]

[...] I have ruled in the border on the tracing on page 124; actually it cannot be seen.

[...] So can the human self appear in several places at once,⁵ each such appearance subtly altering the “human” particle, so that each appearance is a version of an “original” self that as itself never appears in those terms.⁶ When you look at an electron — figuratively speaking — you are observing a trace or a track of something else entirely, and that appearance is termed an electron. So the self that you know is a physical trace or intrusion into space and time of an “original” self that never appears. [...]

Again, from the waking standpoint these other neurological recognitions could be thought of as ghost or trace methods of perception. [...]

[...] I have indicated the colors crudely in my tracing on page 242 . [...]

[...] This was the first time, also, that Seth had separated his own data from that of Ruburt’s, or Jane’s. Refer to my tracing of the photograph on page 242. [...]

(Tracing of cancelled United States postage stamps used in the 6th envelope test, Session 186, September 8,1965.)

[...] See the tracing on page 29. [...]

(See the tracing of the envelope object on page 29. [...]

[...] As indicated on the tracing there are instructions about filing claims for lost objects. [...]

[...] See the tracing of the object on page 29. [...]

If the universe were a painting, for example, the painter would not have first painted darkness, then an explosion, then a cell, then the joining together of groups of cells into a simple organism, then that organism’s multiplication into others like it, or traced a pattern from an amoeba or a paramecium on upward — but he or she would have instead begun with a panel of light, an underpainting, in which all of the world’s organisms were included, though not in detail. [...]

[...] The transitions are literally invisible to you, though they may appear as trace elements in your dreams. [...]

[...] See the tracing above. [...]

(See the tracing of the envelope object, the holly leaf, on page 13. [...]

(Tracing of the ticket used as the object in the 41st envelope experiment, in the 242nd session for March 16,1966.)

[...] Within your own subjective reality are traces of all those roads not taken, those abilities not used. [...]

[...] See the tracing of the envelope object on page 327. [...]

[...] Following the instructions in the book, I traced the outline of my hand in pencil while pressing the inked surface against the white paper. [...]

(See the tracing of the envelope object on page 327. [...]

[...] See the tracing on page 20. [...]

(See the tracing of the envelope object on page 20. [...]

(Tracings of the insurance receipt used as the object in the 42nd envelope experiment, in the 243rd session for March 21,1966.)

[...] See the tracing on page 217. [...]

(See the tracing of the object on page 217, and the notes concerning it on page 218. [...]

[...] My tracing is quickly done on page 217, and shows little detail, but the drawing on the actual object is very well and finely done, including individual feathers on the wings, etc. [...]

(See the tracing of the object and the notes on page 284. [...]

[...] See the tracing on page 3205.

(Reduced front and back tracings of the bill used as the object in the 65th envelope experiment, in the 276th session for August 1,1966.)

[...] The word I mean is one connected with trace minerals of metallic base.

There is an interchange of acids between metallic traces. [...]