“Seth material” search engine (Jane Roberts)

[...] It is very possible, however, that science itself will in time discover the unfortunate side effects of many such procedures, and begin to reevaluate the entire subject.

[...] (4:43.) Take to heart what I said about Ruburt’s knee, so that he realizes in fact that the healing processes are indeed operating within him all the time. [...]

Like the alcoholic’s wife mentioned earlier, such a person might suddenly feel struck by a sense of panic, rather than relief, thus experiencing for the first time the fear of motion that underlay the problem.

Such young men grow up with the desire to be independent, while at the same time they also experience the natural drive for cooperation and dependence upon others. [...]

[...] This forces overstimulations during the night, increasing the body’s work, making it perform continuously over an extended time physical purifications that ideally would be taken care of in briefer periods of rest. [...]

[...] The blood would be cleansed more effectively than when the body lies prone for such a time. [...]

[...] At the same time such perceptions give insights into the book itself.

[...] This is the way the book of poetry that I finished early in March, Dialogues of the Soul and Mortal Self in Time, began.

(“At the same time, in contrast, my perception of my room underwent a transformation. [...]

[...] This time I was a dinosaur. [...]

For a certain amount of time I will momentarily suspend what I believe in this area, and willfully accept the belief I want. [...] For that time desire and belief will be one. [...]

[...] He will be able to try to improve his condition without knocking himself down at the same time.

In your time, medical men, again with great superiority, look at primitive cultures and harshly judge the villagers they think are held in the sway of witch doctors or voodooism; and yet through advertisement and organization, your doctors impress upon each individual in your culture that you must have a physical examination every six months or you will get cancer; that you must have medical insurance because you will become ill.

[...] I was particularly interested in the painting information, and spent some little time explaining why to Jane.

[...] His own interpretation of the communication attempt is correct, so I shall not waste time discussing it.

At times you have been afraid of putting too much of yourself in your work, as if the painting then could imprison you. [...]

[...] (Pause, eyes closed.) Give us time.

[...] Time is

(During argument sequence: surprised as anyone else at sudden pounding of hand [has been lacking in strength for some time—had no idea it could pound that hard]—did feel myself controlled by someone else; vivid, angry vital woman, engaged in an argument. [...]

Ruburt was highly creative, and so following the beliefs of his time, he believed that he must watch his creativity most carefully, for he was determined to use it. [...]

[...] And yet at the same time he was afraid of exerting power, for fear it would be thought that he was usurping male prerogatives. [...]

[...] If it were tied to money-making, as it once was, then painting became also power-making, and hence acceptable to your American malehood; and I am quite aware of the fact that both of you were, by the standards of your times, quite liberal, more the pity. [...]

[...] This electric charge can propel the thought, as an electrical action, through the apparent dimensions of your physical time in such a manner that it can exist simultaneously within your past and your present. [...] Rather the one electric action or thought is simultaneously projected, through a peculiarity of its axis, so that it appears within your field, not in two places at once, but in two times at once.

(While trying psychological time on January 18, Monday, 11:30 AM, Jane achieved the following results: “Extreme feeling of weightlessness. [...]

[...] If you have your wits about you, you can gain information concerning the future by studying your projection environment, if for any reason you suppose it to be ahead of you in time.

[...] This motion follows certain laws which we will not discuss at this time.

One point: There is involved here a freedom from your physical time that can be gained in no other way. [...]

[...] Certainly it shows why the ideas in the book are so important at this time. [...]

[...] At the same time, as the book’s criticism has a good import, so is the disclaimer in its fashion a creative example, again, of the book’s premise, and also would serve for that matter in a way that may not have been anticipated: with the disclaimer the book may well sell more copies by far than it would otherwise (humorously), for people will be curious about what such a volume might contain that will be dangerous to the public good. [...]

[...] Those facts may be imaginatively assembled at times, but they are very slow to accept the inclusion of any new data, and they must be backers of the establishment from which, of course, they obtain their position. [...]

[...] Since they are the intuitive force just beyond the reach of matter, upon which matter is formed, they will not follow the laws of matter, although at times they will mimic the laws of matter. [...]

[...] At times her delivery had become quite fast. [...]

(“Yes?” I thought I probably knew the word Seth/Jane was looking for, but I didn’t have time to think and write.)

As you sit reading this book in your present moment of time, you are positioned in the center of a cosmic web of probabilities that is affected by your slightest mental or emotional act.

[...] You can theoretically alter your own past as you have known it, for time is no more something divorced from you than probabilities are.

[...] Now this must be done with great vividness and emotional validity, and many times. [...]

Ruburt (Jane) was highly creative, and so following the beliefs of his time, he believed that he must watch his creativity most carefully, for he was determined to use it. [...]

[...] And yet at the same time he was afraid of exerting power, for fear it would be thought that he was usurping male prerogatives.

[...] If it were tied to moneymaking, as it once was, then painting became also powermaking, and hence acceptable to your American malehood; and I am quite aware of the fact that by the standards of your times both of you were quite liberal, more the pity. [...]

[...] The event happening in an unfamiliar location, unfamiliar that is to the victim or perhaps victims, at the time. [...]

(“What time of day is it?”)

[...] Let it come down and fill your physical image with joy and vitality, with energy that will fill out your cells and your tissues, with energy that will heal whatever is wrong with your physical being, with energy that will straighten out your thoughts, open up the self that you know to the knowledge that belongs to you (loud) and has belonged to you before the beginning of your time. [...]

[...] He is getting new glasses and new frames that are in style with the times, and he will not want me to toss them across the room like that (tosses glasses). [...]

[...] But this time, she thought, she’d been alert: When she realized that the material was “running through her,” as she often puts it [meaning she isn’t aware of Seth’s presence], she sat up, turned on a night light, and began to record the data on the pad she keeps on her bedside table. [...] “Aha,” Jane told herself at last, when the information stopped flowing, “this time I got it all down.” [...]

[...] That is perhaps one of the more important issues—to give the body time to accelerate its responses. [...]

Dictation: (Time, 6:50–7:00 p.m.)