“Seth material” search engine (Jane Roberts)

[...] I will try every third house, or I will go to the police department—or to the newspaper.” [...]

[...] The third point is that with his views, Seth is simply trying to open our eyes to a much wider understanding of human capacities.

[...] We had 4 visitors the first day, 3 the second day, 5 the third day, 4 the fourth day, etc. [...]

[...] The third question sought more detail on the initial expense data. [...]

[...] Both of your parents imbued the third son with the strongest emotional qualities of their natures. [...]

[...] This is an excellent reference to the third line of the poem used as object. [...]

In the third quarter of your life there was some strong physical difficulty that prevented you from plying your trade, and during this period more and more you began to emphasize in your mind the reality of this strange instrument called the piano, and in your mind you composed for it. [...]

[...] Our third law is spontaneity, and despite all appearances of beginning and end, despite all appearances of death and decay, all consciousness exists in the spacious present, in a spontaneous manner, in simultaneous harmony, and yet within the spacious present there is also durability.

[...] And once again, Seth used a “fresh” event — a dream experience of mine that transpired on the third night following the last session — as a basis for his book dictation tonight.

[...] But as Jane has said, things are “calmer” psychically when we’re by ourselves: In trance or out, she can concentrate upon the work at hand, free of the presence of a third individual — one who is bound to radiate his or her own psychic characteristics. [...]

[...] The third man is a psychology instructor at the college, perhaps in his late thirties. [...]

[...] He is focusing on us, however (pause), trying to send us a message about a round object and a piece of paper, that is written on about a third of the way down, with neat indentation, perhaps five lines or so.

[...] The third plant I found on the back porch of the apartment house last winter, where it had been discarded by Miss Callahan. [...]

[...] Eyes closed to hold back tears of humiliation, I felt my arms lifted by an orderly (long pause), my thin belly and ribs straining in the brightly lit room, my backside lifted and supported by two other strange arms, while a third person—I don’t want to sound too vulgar—

[...] In the thirty-third session, March 9, Seth told us that April 15 would be a critical date for Miss Cunningham, but that is all he said.

In the third sequence, I was having a long discussion with the white woman of the first episode, and there were a group of other women present.

As to the third question, I suggest your break and I will answer it. [...]

[...] (This present book is my third since the sessions began, so Seth is hardly “stealing” any of my creative energy.)

(My third question concerned the double exposure.

[...] The third time was at the funeral of my Aunt Ella on August 8,1965, in Wellsburg, NY. [...]