“Seth material” search engine (Jane Roberts)

(Interestingly enough, Jane came back to my studio as I was writing down the above paragraph in longhand. [...] She left the studio when I asked her to, but I now thought she had been alerted to something unusual, and might be anticipating a test of some sort. [...]

[...] He couldn’t do much more without cutting down on his own painting hours, so I often did experiments on my own while he was in the studio.

One night while Rob was busy in the studio, I decided to experiment with a crystal ball. [...]

(I had an impulse to try to get back to my studio to get some paper and a pen; this was followed by another impulse—to forget about notes for a change, even though Jane was obviously about ready to give a session. [...]

(Cameron Macdonnel will hold a grand opening of the Cameron Studio Gallery at 344 East Water Street on Sunday, November 8.

(Thursday, November 12, 7 AM: This morning, again while dressing for work, I had an experience very similar to the one of Tuesday, November 3. This time I did not have a clear-cut thought that I should look out my studio windows. [...]

(What I did not know was that right after I left the apartment Jane had a sudden strong urge to walk back to the studio and look out. [...]

(Shortly after this, while I was in the studio with Marilyn and Ann, I was informed that Jane was being physically sick in the kitchen. [...]

Some of these feelings are also projected upon the apartment house at large, and mask your deep love of your studio, despite all disadvantages.

(This data was quite unexpected by us, although this afternoon I had mentioned Mischa to Jane in passing, remarking on a similarity of pose struck by our cat Willy as he stood in the studio, intently listening to a sound outside. [...]

Now I suggest that our regular sessions for a while be held in one of your back rooms, (where my studio is), for two reasons. [...]

[...] [They began to approach those described in the 639th session in Chapter Ten, and the 653rd session in Chapter Thirteen, to name but two such instances mentioned in this book.] Finally she called me at 3:30 p.m. as I was painting in my studio, and read Silver Brothers to me. [...]

[...] Then when Debbie Janney arrived Saturday evening, she told me that she had just missed meeting me at Steiner’s photo studio earlier that week; going there to have a portrait taken, she’d seen by accident the enlargements of my parents that Mr. Steiner was making for me. [...]

(Yesterday afternoon, November 28, while working in my studio in the back of our apartment, I had a vision of a painting. [...]

[...] Mentally see him in his studio, at drawing table. [...] I thought he was in his studio and that’s where I saw all this. [...]

[...] Bill Macdonnel asked Jane and me to attend a seance on the deserted third floor of the building in downtown Elmira, where Bill has his studio. [...]

[...] I saw a nice big studio-type room, quite bare with polished wood. [...]

[...] [Hiding it in the studio while my eyes were closed, etc.] Yet when Seth, through Jane, gave the test results, much accurate data was given concerning the full page that lay in the back room, as well as the actual small envelope object in Jane’s hand during the session. [...]

[...] You should imagine yourself in your studio, working, as you fall to sleep. [...]

(Jane said she’d first called me for the session at 8:20, but I had been working in the studio closet and hadn’t heard her. [...]

For your own purposes an unfinished painting on your easel would help you project to your studio, for you would psychically wish to return to study it. [...]

[...] You will model for each other, and as you see him in your studio, so he will see you in his.

[...] He purred as I carried him back to the studio. [...]