“Seth material” search engine (Jane Roberts)

1207. Three months before a proper position. I see a lower story of a house that is divided in two, it seems. An initial engagement that is not to your liking. A turnabout and another turnabout. The letters C A R which do not refer to a vehicle. A torn ligament. A marriage and to a broken strap. Five men in a group and one woman. For your friend a particularly desired, I believe, musical engagement within a three-year period. Nearly three years from this time and a connection with a woman who may help him achieve it. 1972, February perhaps a Saturday. A first child. There seems to be a woman relative, though not your mother, with whom you should use considerable care. Perhaps this is a cousin.

(Break at 10:20. During break we discussed the above material. I am moving to California in June and now trying to get an apartment. I plan to be married in September. I assume that this is the connection with the building mentioned and the three months prior to a proper position. The letters C A R are part of the last name of a person I was thinking about prior to the session and this could be the reference. My friend as referred to in the session is the one I plan to marry in September. He is a musician and now forming a group. Jane knew vaguely of this but did not know that he now has a torn ligament and must wear some kind of waist brace that I don’t know the technical name for but I always call it a strap. The material mentions 6 group members and this is what he hopes for but doesn’t have the 6 people yet. I am at present at odds with my aunt, a female relative, and I know I should be handling this situation better.

[...] The sessions themselves are like a vehicle that comes from beyond your time, yet you sit secure in your time—well strapped in, so to speak.

[...] I do not want to overdo Ruburt’s resources, nor do I want to keep you strapped to the typewriter for three weeks. [...]

[...] Nor do I want to keep you strapped to the typewriter for three weeks. [...]

[...] She wore short white socks and shiny black patent-leather shoes with a single strap across the instep. [...]

(Peggy remembers one cameraman, out of several present, who carried his camera slung on a strap over his shoulder.)