“Seth material” search engine (Jane Roberts)

(“Squares.” [...] We were each given a small cube—the squares—of pink sugar, containing the vaccine, and we let them dissolve on our tongues.

[...] Squares. [...]

(“Did the data on the squares refer to the vaccine?”)

The squares were the cubes.

(I glued a square of the burlap to a wood panel with a very white acrylic gesso that is used to prime artists’ canvas, then used a razor blade to trim off the excess around the edges after drying. [...]

[...] Red and white squares connected here.

[...] Perhaps by a white square. [...]

[...] A square object on it. [...]

[...] The object for tonight is small and blue and square-shaped, with perhaps an imprint on it. [...]

[...] There could also be a play on words here, in that Maxine is wearing one of the old-fashioned square-shouldered two-piece suits in style then: Suitable, suit. [...]

[...] I do not know to what this refers…a form or square…I do not know…17 years old. [...]

(On Friday, June 21, 1968, Jane sent the manuscript of her dream book to Parker Publishing Company Inc., Village Square Building, West Nyack, N Y. On Saturday, June 28, a card arrived from Parker with this message:

[...] “The initials or the letters seem to be connected with a square item, or package.” [...] This would connect such initials with the fact that the envelope object is a square item, [although not a package]. [...]

The initials or the letters seem to be connected with a square item, or package.

(“A square.” [...] It was wrapped in a thin box that was square in area.

[...] 4. A square. [...]

[...] Fairly large in the center of a square or rectangular object.

[...] Fairly large in the center of a square or rectangular object.” [...]

(Seth goes from round to oval, which is more specific as far as the leaf is concerned, and from square to rectangular, which is more specific as far as the rectangular shape of the piece of Bristol to which I had taped both objects is concerned. [...]

[...] It has a large square design at the front like a garage or large barn door or even a firehouse. [...]

(“A connection with squares or cubes that seem to fit one into the other.” [...] They measure exactly square, and the viewer is cube-shaped, the transparencies fitting into it as indicated by my sketch.

A connection with squares or cubes that seem to fit one into the other. [...]

[...] This particular issue is being and has been faced squarely and seen through—a very difficult procedure indeed—but better now than later. [...]

[...] The object was composed of four squares. [...] There may have been a small series of numbers in each of the four squares—several numbers, perhaps. [...]

[...] It is light(pause), and miniature, and formed of squares. [...] Some of the square shapes may be open.

[...] We believe, however, that he may have had a general idea that we would be staying in the Times Square area.

[...] A square object, with something like a symbol on it, some markings. [...]

(“A square object, with something like a symbol on it, some markings.” [...]

Here are some of Seth’s impressions: “Four square, or four and four square.” [...] This gave him four pieces, each four-foot square.)

(November 29, Sunday, 2:00 AM: While dropping off to sleep, I saw many calligraphic-type symbols of squares within squares, triangles, circles, etc., in white line on a dark ground. [...]

[...] Squares. [...]

(“Squares. [...]

Squares that are interconnected, and the color black.

(“Squares that are interconnected, and the color black.” [...]

[...] He was a big heavyset man with a square jaw.)