“Seth material” search engine (Jane Roberts)

[...] His head, to him, was like space or the sky. [...]

Imagine vividly an empty space on the wall in place of any painting now hanging there that you wish to sell. [...]

[...] Not long after the outline for his Special Theory of Relativity was published in 1905, it was said that Einstein owed its accomplishment at least partly to the fact that he knew little about the mathematics of space and time.

[...] Or am I Seth’s trance personality, living in space and time, nearly forgetful of my heritage? [...]

[...] The only suggestions she gives herself now are to the effect that she is completely relaxed, and free of space and time. [...]

[...] Leave space after each entry for future notes.

As mentioned previously, we will also deal with the nature of space, time and distance, as they appear in the dream environment. [...]

(“Next came the feeling that this inside quality was so inconceivably vast that within it was all of the ever-expanding ‘space’ possible; only an inside could possess those characteristics of constant expansion.

[...] Often I do need analogies, for to me that simultaneous, creative, cooperative nature of events exists with a sublime simplicity—a simplicity I am afraid that of necessity becomes complex as I try to describe it in terms that will make sense in your space-time framework. [...]

[...] And while it may or may not choose to enter at that point, it is drawn irresistibly to that time and point in space and flesh.

[...] You have to learn your way about, for the states of consciousness and their environment stretch out in their own way as your world stretches out, say, in space. [...]

[...] So it takes some training on my part to pinpoint you in the time and space with which you are acquainted.

[...] That is, you would perhaps think that a statue would be extremely lifelike because it exists in space and depth, having width and girth. [...]

[...] Remember in your painting the relationship of one object to another, not in terms of space necessarily, the interrelationship of the vitality that forms the objects; the vibrating always changing reality within, say, the skin of the apple or the orange, the quite living consciousness within the molecules that make up what seems to be the solid surface of the fruits’ skin.

[...] The bark is so to speak outside our tree; and there is a small space between the inner tree and the bark. This small space is our dissociation.

[...] You could be an individual male or female, but (louder) you could be neither if you were not an individual first of all—and that individual, again, happens to have an unconventionality of mind and ability most needed in your time and space. [...]

[...] The head in a portrait cannot close its eyes if they are open, but you move within the framework of the temporal space that you have created for yourself.

[...] We went to bed at 2 PM and slept until supper time, after watching the perfect reentry and landing of Columbia, the country’s first space shuttle.

Even the c-e-l-l-s (spelled) are free enough of time and space to hold an intimate framework of being within the present, while being surrounded by this greater knowledge of what you think of as the earth’s past. [...]

[...] He held the session regardless, however, and allowed himself breathing space.

The growth of ideas space-wise was a prerequisite. [...]