“Seth material” search engine (Jane Roberts)

[...] I do not mean to imply that we are off in empty space. For one thing we do not think of space as you do, and we form whatever particular images we want to surround us.

[...] Particular interest should be given to the space that you perceive within a dream. Are you, for example, aware only of the specific location in which the activities happen, or are you aware of a further space extent?

You will learn to take a certain portion of purpose with you through suggestion, so that you can attempt to enlarge the dream space of which you are first aware. [...]

It may not exist in space but it exists in some dimension as a form, and all forms have structure; and so dream images have structure and form, although they do not exist in your space. And so I have a structure and a form, although I do not exist in your space.

“You grow through my memory as a tree grows up through space, and my memory changes as you change. My memory of you includes your probable selves, and all of these coordinates exist simultaneously in a point that takes up no space. [...]

[...] These various points can be mathematically deduced, and will, in some future of yours, serve as contact points, taking the place of space travel in some cases.”

[...] Consciousness does not take up space—you must understand this. [...]

“When we make contact, his consciousness and personality in concentrated form make a journey—in your terms, like a speck in space—the consciousness reduced to its essence. [...]

You grow through my memory as a tree grows up through space, and my memory changes as you change. My memory of you includes your probable selves, and all these coordinates exist simultaneously in a point that takes up no space.

[...] This is a denseness that does not take up space, a denseness caused by an infinity of electrical fields of varying ranges of intensity. [...]

[...] Their mobility, in terms of perspectives and within space, is far greater than your own.

I used the term, pass out of the dream world purposely, for here we see a mobility of action easily and often accomplished — a passing in and out that involves an action without movement in space. [...]

The dream world has a molecular construction, but this construction takes up no space as you know it. [...]

I come to you as though I appeared through a hole in space and time. There are walks [warps?] in space and time through which you can travel—and in dreams you have been where I am. [...]

The spontaneous self, the creative self, is also immersed in Framework 2, and the creative conscious mind springs from there also, even though its focus must of necessity be in Framework 1’s world of space and time.

In a basic manner, physical events are formed originally in Framework 2, where all the necessary computations are done in terms of probabilities, so that physical events then mesh properly in space and time.

[...] I won’t take the space to describe the series of mistaken efforts I went through in producing the work, except to say that finally I came to the rather simple conscious understanding that I was trying to paint a probable Jane. [...]

[...] The experience of forward time and the appearance of physical matter in space and time, and all the phenomenal world, results. [...]

[...] There were animal-men and man-animals, using your terms, that shared both time and space for many centuries.⁶ This is, as you all well know, a physical system in time. [...]

[...] Hence, such an object is invisible, forming a “hole” in space.

Your idea of space is so erroneous that it is extremely difficult to set you straight. [...] From your own perspective, from your own space perspective, through the methods which I have given you, you create your own version of a particular object, and you do it by using energy in a personal manner.

[...] I will shock you further by stating that, in your terms, the objects do not even exist in the same space, but in the personal self-perspective space, formed and created by any given individual.

The reason should be apparent; if you consider for the sake of analogy, you may think of our fifth dimensional space once more. [...]

[...] The corner working space, any corner working space, pleases him, because it provides a place for the collection of psychic energy, and also serves as protection to his way of seeing things. [...]

[...] Many of his Florida contortions had to do with a simple need, basic for him, having to do with space, orderliness and privacy. [...]

[...] I will tell you the reasons later, but regardless of his flamboyance and seeming disregard, he needs space division of certain activities, and privacy from the outside world. [...]

Something which you have forgotten makes you uncomfortable at Christmas time, Joseph, and Ruburt becomes uncomfortable in late winter if the space situation is not comfortable to him, so that your periods of psychic discomfort somewhat overlap. [...]

[...] There are bleedthroughs however in space and time as you think of them. [...]

[...] Ideas are free of space and time. [...]

[...] Many physical structures have existed in your terms in the same space now occupied by your apartment house. [...]

An apple is not stuck within a tight hole of space, you see, isolated there. It makes itself out of space, transforms space, into an apple, and this you must suggest.

[...] The force field has definite space-time coordinates and a dimensional affect that permits the manipulation of molecules from one system to another.

This is truly a space-time warp, permitting free interchanges. [...]

In your terms, you are hanging out in space with nothing to support you and our friend here would be terrified of falling. [...]

This room could disconnect itself from this apartment building and go sailing blithely through space. [...]

[...] These forms do not take up space in the way that physical objects do. [...]

[...] The original is double-spaced:)

[...] It must take in and assimilate the existing data from a far vaster amount of space than before. [...]

[...] Your living room reaches out horizontally in space as far as your consciousness is concerned. [...]

[...] The next instant, my consciousness rushed out of my body, yet it was itself bodiless, taking up no space at all; it seemed to be merging with the air outside the window, plunging through the treetops, resting, curled within a single leaf. [...]

Space is where our own idea constructions do not exist in the physical universe.

[...] Because all constructions are more or less faithful reproductions in matter of the same basic ideas (since all individuals are, generally speaking, on the same level in this plane), then they agree sufficiently in space, time and degree so that the world of appearances has coherence and relative predictability.

[...] So-called empty space is full of constructions not our own that we cannot perceive. [...]

According to your intent, your desire, and your beliefs, your ideas intersect with the reality that you know, with physical space and physical time — they become real, in historic terms. [...]

[...] — there are points, again speaking simply and in your terms, where probabilities meet: intersections with space and time that occur in your minds while you change directions, where new probabilities that once lay latent suddenly emerge.⁹ And in terms of your civilization and your time, such a time is now.

[...] It was also a long one; the typewritten transcript ran to five and a half single-spaced pages. [...]

[...] You can express the location of objects in space, and you can communicate to others in a similar fashion, confirming the physical, obvious properties that others also perceive.

In those terms, using our analogy, the recognition of Framework 2 would bring you from that point to the production of great art, where words served to express not only the seen but the unseen — not simply facts but feelings and emotions — and where the words themselves escaped their consecutive patterns, sending the emotions into realms that quite defied both space and time.