“Seth material” search engine (Jane Roberts)

(Jane dictates:) Why do you find the phrase solidified feeling outlandish? You both already understand that your plane is really composed of solidified thought. When your scientists get through with all their high fiddle-faddle they too will discover that this is the case, though woe to any one of them that dares breathe such a concept yet.

(A drawing is solidified action. In the process of drawing I am solidifying emotion or feeling. There is distortion present, but still I put down something that my obvious senses can perceive. It is an attempt to get to the heart, the mind’s heart, of the matter.

This has also much to do believe it or not with feeling, which also is a mover. You must try not to categorize things in old ways, but when you open your mind you will see a similarity between chlorophyll as a mental enzyme or mover, and emotion which is never still. Emotion solidified is something else again and perhaps is a framework of other worlds. (Pause.) And really Jane, you’re giving your subconscious an awful lot of credit. Let’s see credit where credit is due.

Joking aside, I will now ask you to imagine these wires as being composed of the solidified emotion of which I have just spoken. Surely you must know that even the words feeling or emotion are at best symbols to describe something else, and this something else comes extremely close to your mental enzymes.

Why do you find the phrase ‘solidified emotion or feeling’ outlandish? You both understand now that your plane is composed of solidified thought. [...]

These mental enzymes, to go back to them, are solidified feeling, but not in the terms that you usually use … I have said that our imaginary wires that seem to permeate our model universe are alive; and now if you bear with me, I will say that they are mental enzymes or solidified feelings, always in motion, and yet permanent enough to form a more or less consistent framework. [...]

[...] Emotion ‘solidified’ is something else again and is perhaps a framework of other worlds. [...]

[...] During the break, Rob had made a remark about solidified emotion, and Seth began by saying:

[...] As your paintings are solidified feeling on board or paper, apparent in the physical universe and therefore vulnerable to the laws of that universe, so is the universe itself on your plane physical materialized feeling, only with more dimension than a drawing or a painting. There is however also an extra dimension in a painting than people usually recognize, beside the lines and color and form and content, which are as you said so aptly feeling solidified. [...] First you have the action of the lines, form and content and so forth, caught and solidified, then as an observer looks at a painting feeling is again motion moving out from the painting into the beholder’s perception.

[...] Action is solidified, or should I say transfixed, in a painting and yet even in a painting action is never really solidified or transfixed, but continually fluid.

[...] Our imaginary wires composed of solidified vitality are fluid, I hope you understand this, even while they are solidified. [...]

The motion of the apparently solidified vitality gives the illusion of time. [...]

[...] If you will perhaps consider again our wires and mazes, I have said if you’ll excuse the brief reminder, that these imaginary wires are composed of solidified vitality. [...]

[...] Solidified vitality wires do not look like boundaries or divisions. [...]

[...] What these wires are, therefore, that seem to divide our planes and that appear so differently in one plane than they do in another, are solidified vitality whose camouflaging action is determined by mental enzymes.

[...] If you will forgive me Joseph, at the risk, and I do mean the risk, of becoming boring, I would like to repeat briefly: Mental enzymes allow the solidified vitality to change its form. [...]

[...] Our imaginary wires composed of solidified vitality are fluid, I hope you understand this, even while they are solidified. [...]

[...] “The motion of the apparently solidified vitality gives the illusion of time. [...]

If you’ll forgive me, Joseph, I would like to repeat: Mental enzymes allow the solidified vitality to change form. [...] Needless to say, mental enzymes and solidified vitality are dependent upon each other in many ways. [...]

[...] I have said, if you’ll forgive the brief reminder, that these are composed of solidified vitality.

What these wires are, then, that seem to divide our planes and appear so differently in one plane than they do in another, is solidified vitality, whose camouflaging action is determined by mental enzymes. [...]

[...] They are solidified emotions, solidified subjective states, given physical materialization. [...]

[...] They (the buildings) are solidfied emotions, solidified subjective states, given physical materialization.

[...] The main nature of events, the majority of events, do not in quotes “solidify” until the last moment, in your terms. [...]

[...] The sap could not move upward for the trunk would solidify through and through, trying all the while to protect, and killing the tree with its obsessive kindness.

[...] Nor does it solidify, stopping the flow of sap to the treetop for fear the dumb tree, not knowing what it was up to, would bump its head against the sky.

[...] The nuances, which are important, appear in many groups of sessions, given in the past, and also include his reaction to attitudes of your own, which to some extent helped form and solidify his own ideas in those regards. [...]

There has been a need for discipline, which is now somewhat being achieved, and past interests which have this time solidified into a more coherent purpose. [...]

[...] If you consider the wires again, then you could view them as solidified emotion, woven together, however with a strong cohesive and stiffening power of the intellect. [...]

The majority of events do not ‘solidify’ until the last moment, in your terms. [...]