“Seth material” search engine (Jane Roberts)

[...] And, yet, in one manner of speaking, the very air about you sings with its own joyful consciousness and does not know the same kind of burden of consciousness that often oppresses you. [...]

[...] Sumari is a “language” she can speak or sing while in trance, and which she can translate into English if and when she wants to. [...]

(Long pause.) Many people find themselves singing “gibberish” when they are alone, and trying to free themselves from language structuring. [...]

into rainbow vowels that sing

[...] She had maintained her unusual sing-song voice until the end. [...]

[...] Jane also sings in Sumari occasionally, and has written down a few short songs in that “language” without translating them. [...]

[...] Then rapidly, almost with a lilt, as though singing, she spelled out eight names. [...]

[...] All of the counterparts alive as contemporaries then form, together, a musical composition in what you think of as a present; and once that multidimensional song is struck then its past ripples out behind it, so to speak, and its future sings “ahead.” [...]

[...] She also took time to sing very delicately in Sumari, in contrast to Seth’s powerful deliveries. [...]

With songs not of our singing,

“Know that within your physical atoms now the origins of all consciousness still sing and that all the human characteristics by which you know yourselves still exist. [...]

[...] When we met, John had little interest in an operatic career, as far as I recall, yet had taken professional singing lessons and given auditions. When he crossed the road to visit I would encourage him to sing a bit for us a cappella. [...]

[...] People always seemed to be singing.”)