“Seth material” search engine (Jane Roberts)

In fact, the first two statements, while making no logical sense, do indeed hint of (pause) phenomena that show time itself to be no more than a creative construct. [...]

[...] You should have received enough evidence, and fine evidence thus far, to show you that there is nothing intrinsically wrong with Ruburt’s eyes, per se. [...]

The affair was important because it showed him that such techniques do work, and it is an excellent example of one of the most important ways you have of helping him. [...]

[...] I said I thought I understood what Seth was doing: in light of the material we’d been getting, he was giving Jane the experience of that ancient time and our present time, showing that both are simultaneous. [...]

[...] Therefore she permitted herself to show more affection toward you than she did toward her husband.

(It was, I believe, after my own recovery that Jane’s first symptoms, unrecognized by us as to their potential severity, began to show. [...]

[...] She shows her feelings in an exaggerated fashion for you to look at, and so when she speaks it is not only for herself but for everyone in this room, including Ruburt.

[...] Doors in the psyche are different from simple openings that lead from one room to another, so my books only show a glimpse of my own existence. [...]

[...] She quenched doubts that she was not good enough to succeed, or that it was too difficult to get ahead in show business. [...]

[...] Though all the connections have not been hits, enough has come through to show validity; though with training Ruburt will improve in allowing me to come through more specifically.

[...] Our friend’s ulcer may show a slight twinge here, as he passes through the terminal. [...]

[...] While opaques may be used to suggest physical heaviness, transparents should be used also to show that in actuality rocks are as light as air, and to hint at the ever-mobile energy that forms them.

[...] Again, without checking, I think that an examination of our records would show that her symptoms flared up, indeed worsened, as she worked on each Seth book, and that behind her labors on each book there lay this fear that she was going too far with each one she produced. [...]

[...] Today I mailed Jane’s letter to Meredith Wheeler of ABC News, declining MW’s second recent invitation to be on that show; and when Tam called this afternoon to tell Jane that a British journalist was at CBS in NYC, and wanted to interview her for a newspaper article, we decided to not call back and okay the interview. [...]

[...] [Man’s psychological reality is so sweepingly different from that of the animals, Jane added now, that he would inevitably show a wide variety of reactions.]

[...] The voice was just as strong as before, showing no signs of fatigue. [...]

[...] The woman, her mother, shows it, and she often puts herself in this woman’s place, demanding the attention she does not feel she can otherwise obtain.

[...] There are different historical periods, in your terms, where the species has showed what it can do—and what is possible in certain specific directions when the genetic and reincarnational triggers are touched and opened full blast, so that certain characteristics appear in their clearest, most spectacular light, to serve as individual models and as models for the species as a whole.

The eye improvements showed that the eyes are indeed simply strained. [...]

[...] I go out of my way, as your friend Seth II does not, to show you that I am a jolly fellow. [...]

[...] Symbolically, Seven (Oversoul) was important because the book showed Ruburt the wedding of psychic ability and creative ability, emerging as fiction and art form, and his baby.