“Seth material” search engine (Jane Roberts)

[...] Yet, just as it had been in the first poem in this series, her death was still on her mind some four and a half years later. [...]

[...] Right now, I just want to note that since she gave the last session for this book, the 919th on June 9, Jane has come through with a series of 15 private, or deleted, sessions—13 of them on what Seth calls “the magical approach to reality.”

[...] And as soon as I realized she was going to continue the series for a while, I jokingly asked her what was going on: “What do you think you’re up to, hon? [...]

[...] Her choice of subject matter there was quite natural: She’d given her third session in that series two days earlier.

[...] The next three excerpts are either from, or are directly related to, later sessions in the “magical” series.

[...] I rubbed those certain spots on her head and neck, and she promptly took off with a series of strong head motions, very rapidly moving back and forth against the pillow.

[...] I told her that the session was very good, as all of them have been in this recent series. [...]

[...] They are much closer to the conscious mind, and usually consist of a series of seemingly innocuous decisions that you have made through the years. [...]

[...] Now you should have a series of dreams representing other aspects of the entire situation. [...]

[...] You should also have a series of dreams that work out various aspects of the same problem for this is but one isolated point of your feelings. [...]

[...] In your terms, they fade into a probable series of events that do not physically affect you.

[...] Therefore, I have much work to do on the 40 pen-and-ink drawings for Dialogues, and on a series of diagrams for Adventures.

(“and with objects in a row, or a series, perhaps of numbers.” The date on the object can be thought of as a series of numbers; we think however that here Seth refers to the six-digit serial number on the back of the object, along the right-hand edge: M507832.

[...] I do not know to what this refers (Jane shook her head) and with objects in a row, or a series, perhaps of numbers.

Now over a period of time you will all be given a series of sounds or a particular song or chant that will be yours alone and meant to apply to you alone. [...]

[...] It is known that one disease can often cure another; sometimes, left alone, an individual will go from a serious disease through a series of less severe ones that are seemingly unrelated to the original problem.

[...] The personality itself seems to be having a nightmare, or a series of recurring dreams, during which it returns to the physical environment. [...]

[...] There is an infinite number or series of creations of matter. [...]

[...] But the creation is continuous, like a beam, or rather an endless series of beams, at first weak as they are far off, then stronger, then weak again as they pass away.

Reality within some systems other than you own, is experienced not as a series of moments, but as experience into all the probabilities of action that exist within any given instant. A continuity therefore is in terms of the self rather than in terms of a series of moments. Instead there is a series of selves—

3. In the opening notes for the 718th session, I wrote that I’d just finished a series of diagrams for Jane’s Adventures. In Diagram 1 for Chapter 10, I tried to show schematically the same idea Seth mentions here, but with the terminology Jane used in her own book. She wrote about a series of Aspect selves orbiting a nonphysical source self, then continued: “Imagine a multidimensional Ferris wheel, each separated section being an Aspect self. [...]

[...] Each is working on the same series of challenges. [...]

[...] We will indeed begin a series of sessions, although they may be briefer than our usual ones. [...]

[...] I always got away and hid, in room after room, but the dream was an upsetting one, like that I’d had a week or so ago, when I’d lost my way amid a series of deserted factory buildings on the edge of Elmira. [...]

[...] The suggestion should be given three times a day, in a series of three.

[...] She’s from out of town, and I hardly know her [she’s also so quiet]; but even so, I could see how it was possible that she could be embarked upon her own series of lifetime challenges while expressing certain qualities of the entity, or whole self from, which we both emerged. [...]

(Jane’s expressions of long sound and her sensations of massiveness are of course directly related to the multidimensional neurological activity, the “sidepools” of consciousness, that she described in Appendix 4 of Volume 1. Seth also mentioned neurological pulses and/or speeds in various sessions in Volume 1. In the opening delivery for Session 686, for example, see his information on our species’ selection of one “official” series of neurological pulses for physical reality, and, at 12:19 A.M., his remarks on prejudiced perception. [...]

[...] In a voice quite a bit deeper and stronger than usual, but not as overpowering as I’ve heard it be on occasion, Jane began to express a series of very “long,” drawn-out syllables. [...]

[...] (She described the images to some extent — delineating stars, a series of circles, condensing matter, imploding galaxies and other such effects — but they didn’t mean as much to me as her material in the session itself.) I just got tired receiving the stuff. [...]

In the 24th session for February 10, 1964, Seth explained how a recent vision I’d had, involving a ladderlike series of heads opening and closing their silent mouths, had really been my attempt to cast inner data into a more familiar outer-sense kind of perception. [...]

[...] The various degrees, postures, and indications of natural animal aggressiveness are all steps in a series of communications in which the animal encounters are made clear.

To a large extent, a highly involved series of symbolic actions are carried out long before any battle takes place, if it does finally. [...]