“Seth material” search engine (Jane Roberts)

Perhaps this is a scene from the novel or an opera, for now there are two very tall candles, with golden holders and many shadows. [...] Perhaps a deathbed scene, but I do not hear music, and it would seem that music would be connected with an opera. But the scene is macabre.

[...] As stated earlier, Jane and I visited The Elms, the scene of John’s adventure, once some months ago. [...]

(Jane said that while giving the Instream material she had a vague mental impression of an outdoor scene, and of a woman in outdated clothing. This reminded her of scenes in old paintings, as by Degas.

[...] During it I heard several vague voices, saw several vague scenes, including a white-haired man. [...]

I saw the boat plainly, when I took in the whole scene. [...]

[...] She said she’d felt strange since supper; now she said she felt that we shouldn’t be so subjectively aware, now; but that we should be as our future selves, observing the present scene and our physical bodies as they sat in the living room, from the outside.

(She felt strong intensities in the bathroom doorway; felt like she was a ghost, returning to the scene; everything was exceptionally vivid—so dear, so palpitating and alive. [...]

[...] Quite a scene. [...]

[...] Sethpherverando was the name for the baby ...I’m getting the scene and I don’t want to get into the emotional end, so I keep cutting that off to just give you the information. [...]

[...] I then switched to receiving other vague scenes which I quickly lost track of.

(The scene flickered at full strength for a second then was gone. [...]

[...] He would do anything then to avoid an emotional scene. [...]

“As I walk into the kitchen the head of my dream self fills with vivid scenes, like other dreams, interpretations of each cell of this new awareness. I project all of this outward around me into literally hundreds of brilliant scenes; expressions, I knew, of probabilities, ‘past’ and ‘future’ events, sideways events I can’t even understand … all happening at once, with perfect comprehension of that by the ‘anchor’ dream self. [...]

(We tried several locations without success, finally standing at a table close to the death scene, a doorway. [...]

[...] The scene was at a neighbor’s down the street we lived on—not Pinnacle Road—where there was a party going on. [...]

[...] As he goes to sleep this evening, have him try imagining a scene in springtime, with him walking briskly or running. [...]

[...] You may see a severe, dark, wintry scene. [...]

In dreams the preparations for experienced events take place, not only in the most minute details but in the larger context of the world scene. [...]

I can imagine a lovely scene where bodiless individuals, spiritual psychologists and I, sit in a dark room all dressed in gowns at another level of reality, and they ask me what is wrong with me and I say—I am obsessed. [...]

[...] Because they are behind me, the scene is too good to miss and they have never seen a psychology like your own. [...]

[...] They are recognized intuitively when they appear on the exterior scene because in psychic life they have already been known, and in dream states these dramas have been worked out. They are recognized at once on the historical scene. [...]

[...] In those terms you are one person physically objectified, staring upward in the scene just mentioned at an objectified sky. [...]

[...] Two people, yet some connection with a summer scene, and water.

[...] Then we saw that it referred to a visit Jane and I made to visit Bill in Rochester last summer, for here “summer scene, and water” enters in. [...]

[...] The changing physical scene throughout the centuries, as you know them, represents the inner images that have flickered through the minds of the individuals who lived within the world through the various ages.

(My questions were, roughly: 1. What beliefs might still be operating behind the scenes, still interfering with Jane’s recovery? [...]