“Seth material” search engine (Jane Roberts)

[...] The idea of safety is of prime importance.

[...] Ruburt carries his protection and safety wherever he goes. [...]

[...] All three poems, then, are of a piece, in which she explores across time and emotion different facets of a common set of beliefs about friendly psychic colleagues and feelings of safety.

[...] It is the feeling that the fugitive will always be hunted down and that there is safety in numbers and that if you leave the numbers, or the institution, you will be hunted down. [...]

[...] It is a built in safety system upon which both of you have subconsciously agreed and again this applies to other aspects of your life as well. [...]

[...] Your associative processes find a certain feeling of safety and familiarity, leaping upon this vowel and this syllable. [...]

[...] I was very concerned for his safety. [...]

(I was so concerned for my friend’s safety and welfare that I scooped him up in my hands, and held him between them like a child holds a trapped fly. [...]

They feel themselves couched in an overall feeling of security and safety, even in the face of an unpleasant environment or situation. [...]

[...] He should tell himself, again, that it is perfectly safe to move, that the body’s safety, in fact, is dependent upon its fluid motion, so that the muscles are free to relax and contract. [...]

Ruburt will be more and more familiar with easeful motions as his body tastes its growing freedom, and (musically) safety. [...]

[...] On the other hand it was part of his method, a way of intensifying focus, increasing perception in a small area while also insuring safety, so that inner excursions would be balanced by a constant worrisome body that would urge him to return.

[...] He does still need you to remind him of the safety of relaxation now and then.

[...] The love implied in the fact that you help him with suggestions is highly important, because that love implies safety. [...]

[...] She was overly fearful, ironically enough, for the child’s safety—and hence he developed a condition that kept him under scrutiny all the while.

[...] The ego, in other words, the “exterior” self that you think of as your self — that portion of you maintains its safety and its seeming command precisely because inner layers of your own personality constantly uphold it, keep the physical body operating, and maintain communications with the multitudinous stimuli that come both from outside conditions and inside conditions. [...]

Your pendulum work, your determination, and the sessions have aroused Ruburt’s determination to act physically, rather than to retreat, and your suggestions concerning safety are important. [...]

[...] Travel in peace and joy and safety, in your bodies and out.

[...] It shows you that the rational world’s views do not represent the bulwarks of safety, but are instead barriers to the full use of the intellect, and of the intuitions.

[...] Many of Rob’s dreams have involved a nostalgic view of the past, plus questions of safety and danger. [...]

[...] They were creative, but also safety valves. [...]

[...] There is a great division of energy, as there is in all creators, but in his case between the need for spontaneity and discipline, safety and freedom, and these are clearly seen in the body’s condition right now.

The autobiographical material produced as novels by Ruburt were also helpful as safety valves. [...]

[...] Because you can see so clearly the failings of your age, you each have a tendency to exaggerate them, or rather to concentrate upon them, so that you do not have an emotional feeling of safety. [...]

[...] In the second dream I had refused to leave the safety of the studio, which is on the second floor, for fear of falling. [...]