“Seth material” search engine (Jane Roberts)

Very well indeed, as I intended that it would. It impressed several youngsters in a particular manner. A boy in a third seat in a near-center row. A girl in a fourth seat in one of the rows far right.

(It is Sunday, April 16, as I type this. Pat did visit us on the 15th, and confirmed much of Seth’s data given here. See my copy of the map she drew yesterday of her classroom. The boy in the third seat near a center row is, according to Pat, named Dave Lounsburg. The girl in a fourth seat in a far right row is Elaine Todd.

A row of apartment houses. It is dark so I presume it is nighttime. A visit to a third or second floor. A church, this is separate, with decorations that seem spider shaped. A vestibule in red. An underground place where they eat or drink, with shutters and an atmosphere depicting an era, 1871.

(Seth also correctly picked out the seat of Art Finnegan, to whom he referred in the 329th session. “There is a boy in a third or fourth seat, back from the front, in the left row toward the wall. He is on the last reincarnation within this system.”)

[...] She had an image while speaking of a row of numbers, with others behind each number in the front row. Jane said that each number in the front row was in the middle of an endless row, from left to right. [...]

[...] Each number in our original quote “row” that you see has therefore within it these other individual units.

[...] A circular formation surrounded by flowers I believe, with closely-crowded, old, at least second-story structures to the left side of the street, or close to the street and nearly identical in rows.

[...] Two story houses were to the left, in rows.)

[...] This statue, with the row houses to the left and the street light: Following around the curve to the left you run into a better sectioned area, up a hill on a broad street now, then the street curves again to the left, and beneath it are rocks, that is, a rocky ledge down to the sea, I believe. [...]

[...] (Seth rattled these dates off rapidly.) A circular formation (gesture) surrounded by flowers I believe, with closely-crowded, old, at least second-story structures to the left side of the street, or close to the street and nearly identical in rows.

[...] This statue, with the row houses to the left and the street light: Following around the curve to the left, you run into a better-sectioned area, up a hill on a broad street now. [...]

[...] While talking about the statue opposite the row houses, she did not see the statue, she said, but was aware of it nevertheless. [...]

[...] But she had images of the row houses behind or beside it. [...]

[...] In one place, page two of the results, nine impressions in a row were correct and highly specific, and these added up to a complete picture of the place where the Gallaghers stayed. [...]

A row of apartment houses. [...]

(When I spend too much time going out, Seth told me, too many evenings in a row visiting or dancing, I get depressed because I feel it is a waste of time in spite of the psychic benefits to be derived from being with others. [...]

(“A miscellany of shapes arranged in a row.” [...] Due to the long narrow shape of the lamp shade, the objects fastened thereon end up arranged in a row.

[...] A G and H. A miscellany of shapes arranged in a row. [...]

[...] We also had the privilege throughout the afternoon of watching a “holiday special” on TV—three Godzilla/King Kong movies in a row. [...]

(The numbers “Four seven” are on the pass, and also “four numbers, I believe in a row,” if you want to isolate this many from longer groups. On the last line of the data on Miss Bunn some numbers are barely legible; we can see the impression of four numbers in a row here also.

A connection also with four numbers, I believe in a row. [...]

(Seth mentioned a boy who sat in a third or fourth seat in a specific row also given—had he said, for example, fifth or sixth this would have been wrong since Pat told us the students only sit four down.

[...] Something in rows. [...]

(“Something in rows.” [...]

[...] We stood outside after the service, three in a row facing each other on the porch, while six others carried Joe’s casket between us and down the steps to the hearse.

[...] She had also achieved a good state yesterday, Sunday; indeed, this was the first weekend during which she had tried psy-time, and she speculated that she had overdone it by experimenting for ten days in a row. [...]

(Jane looked at herself in the mirror today after lunch — the second day in a row that she’s done so. [...]

[...] Jane laughed that she’d have made it four times in a row if Willy hadn’t interfered.

[...] But when I looked outside, I saw a rundown row of apartments next door, and in the first doorway stood a young mother in ragged clothing, with several ragged children sitting on the steps, staring at me. [...]

Seth said: “A connection with a family record, as a page, for example, from a book … connected also with a turbulent event or unpleasantness … four numbers in a row, and other numbers, the initial M, a connection with another city.”

[...] At the bottom corner were four numbers in a row, with other numbers on the top by the patient’s name, Margaret. [...]

[...] “A fountain with steps leading up to it; a circular formation surrounded by flowers, with closely crowded, old, two-story structures to the left of the street and very close to it, in rows.” [...]

[...] Her desk faces a row of five windows, tall and narrow, and with small panes. [...]

[...] Jane sits at her desk facing the row of windows to the west; from there she has an excellent view of the backyard and the street beyond. [...]

Three nights in a row. [...]