“Seth material” search engine (Jane Roberts)

[...] If you looked at that same landscape one summer and then the next, you might say: “Ah, the violets always grow there, and it is good to see the lilies of the valley in the shadow of the same rock.” [...]

Ego’s concept of itself as a rock of unchanging identity is highly ludicrous, since its perceptions constantly change it from what it was. [...]

[...] She was aware of sides of rocky earth, with the rocks visible. [...]

(Pausing beside our Kennedy rocker, Jane set it rocking back and forth.)

[...] For the movement of heavy tons of rock for example different techniques, using sound and precise mathematical calculations were necessary. [...]

[...] Pretend, then, that you possessed within yourself the knowledge of all the world’s masterpieces in sculpture and art, that they pulsed as realities within you, but that you had no physical apparatus, no knowledge of how to achieve them, that there was neither rock nor pigment nor source of any of these, and you ached with the yearning to produce them. [...]

Your particular conscious and subconscious viewpoints are fluent enough so that they do not hamper the basic material or cover it with the rock of dogmatism so that it becomes impossible to find.

[...] I also know your mind is filled with ponderous questions, like an endless chasm filled to the brim with heavy rocks. [...]

[...] As you are not a rock or a mineral, but a person, so your individuality places you in a particular family or species of consciousness. [...]

[...] By physical universe I mean everything with which we come into contact in any way at all—stars, chairs, events, rocks, flowers—our entire physical experience. [...]

[...] He is unpredictable in that he is temperamentally good-natured, but you never know when the rocks will fly, and neither does he. [...]

[...] The physical environment is real in different terms to an animal, a fish, a man, or a rock, for example, and different portions of that environment are correspondingly unreal [to each of those forms]. [...]

[...] These are utilized in the material universe, but they do not actually exist in it in the same way that, say, a rock or chair does. [...]

(Jane had been quite restless since the session began, shifting often in the rocking chair she always uses. [...]

[...] Physical reality is, after all, a rock to which the ego must cling; from it, the ego achieves its prestige and reason for existence. [...]

And it is always strange to realize that physical reality has that little hold, comparatively speaking, that you can slip out of it so easily, that it is more like bright transparent cellophane than solid wood or rock. [...]

[...] Almost at once I felt dissociated, drowsy, and sat in the rocker without rocking. [...]

2. In Personal Reality, see sessions 623–25 in Chapter 5. In Oversoul Seven, see the material in Chapter 12, for example, wherein Jane described not only the airborne movement of objects — rocks — but an “extra tension” in the air itself, “as if a million vowels and syllables rose into the air, all glittering, all … alive; like animals of sound….”

[...] Because of our ordinary time sense the sounds were actually so slow to us that they appeared to be motionless, or “dead,” she told me, leading us to speculate that this may be one of the reasons why in usual terms we call inanimate matter — rocks, for instance — “dead.” [...]

The other part, / dispassionate, / flows together /
with the waves / past world and rock / dispersed as mist, /
beyond impediments / uncaring / while my heart /
in the fragile shell / calls out, / “Come back /
dear counterpart. [...]