“Seth material” search engine (Jane Roberts)

(Some notes added later: Dick Bach felt that he didn’t really write Seagull himself. [...]

[...] What the question really means to most people is this: What will happen when I am not alive in physical terms any longer? [...]

[...] Then at 11:15: “I’m just waiting …” Then: “Now I’m getting different things but they aren’t clear, so I’ll just wait …” Then at 11:20: “I’m getting one of those frustrating things that’s too big — too massive, really, — to be verbalized. [...]

[...] But the idea that each person tries to actualize the idealized good as much as they can through their daily lives — their work, social structures, and so forth — and in the meantime use certain criteria that will help them judge for themselves whether or not their actions are really in line with their ideals. [...]

[...] “ A couple of times the type got really clear.” [...]

[...] Obviously it deals with the development of values — not moral values, however, but values for which you really have no adequate words. [...]

[...] The men who have succeeded within it, the inventors for example, never really fit within its confines. [...]

[...] “It’s weird,” Jane said, “really weird....I was aware of those lapses again as soon as I said I’d have a session, and I wasn’t before. [...]

[...] The repercussions have not yet really begun.

There was no easy way therefore, really, though easier ways were available. [...]

[...] Jane said she was “really out,” etc.)

[...] Perhaps I’ll never really know. [...]

[...] Jane has not really extended herself in such tests, mostly due to a lack of time. [...]

[...] She gave the impression of being really involved in the material this evening, and I was on the point of asking for a break when it came.

(Jane said that when “he” began talking about “my viewpoint,” she was really “up there” in the pyramid or cone. [...]

[...] You do not admit the breather as really being a part of yourselves, nor do you admit the creator of the camouflaged physical world as being part of yourselves.

(By now Jane’s delivery was really wound up. [...]

(Jane tried to half-heartedly deny this, without really considering the question, I thought—not that I wanted her to to any great degree before Seth got into it. [...]

[...] She had confidence that if she really shouldn’t have a session Seth would either call it off entirely or make it very short.)

This session should be of excellent use, really, to both of you—and remembering the playful nature of creativity will help Ruburt get back to his book. [...]

(“I don’t really think so.”