“Seth material” search engine (Jane Roberts)

[...] If you would express yourself more often as you did in your paper, either through poetry or prose or painting, you would feel great release. [...]

[...] So she’s been working on her own James, writing poetry, painting, and helping me out with Seth’s Psyche by doing some of the work I usually do when he’s finished a book: typing sessions for the manuscript, checking my rough notes, rewriting some of them and making suggestions about others. [...]

[...] Seth spoke on the integration of our personalities also in the 228th session; the material grew out of his material on the poetry book Jane produced so effortlessly. [...]

[...] It is true that his poetry does also, and over the years he has come to take this for granted. [...]

[...] Poetry again as a part of the day’s normal activity. [...]

[...] Seth said that Jane would publish 5 books on the Seth Material; 3 novels; 3 books of poetry; plus 2 books to be dictated by Seth himself. [...]

[...] He would hide in his poetry. [...]

[...] While I used that explanation as a handy whipping boy at times, I didn’t really believe that either: my subconscious was getting enough expression in my short stories and poetry—and without adopting other personality characteristics. [...]

Now our friend, poetic Ruburt, wrote a poem about the Gods in the Rafters that I enjoyed, although poetry has never been one of my particular joys. [...]

[...] Music and poetry also can achieve this state. [...]

[...] The bridge here involves the natural world, his love of nature, the connections between poetry, strolling the natural world as opposed to the social one.

Unknowingly, in my poetry I had barely begun to form some concepts that would help me. [...]

[...] And I did another story and some of my early poetry on the same theme.”

[...] You see me in the poetry, the psychic developments, and Sumari, but I have been forced to follow certain lines, as you suspected, despite my nature. [...]

[...] I did incidentally watch Ruburt write one of his poems about the starlings, and though poetry was never one of my lines I have to admit that I was quite impressed.

8. Strange — but recently I visually approached the idea of interrelated consciousnesses in two pen-and-ink drawings for Jane’s book of poetry, Dialogues of the Soul and Mortal Self in Time: I incorporated humanoid features on large rocks. [...]

(Jane had been very pleased with some humorous poetry she had written today, and had been reading it to John before the session. [...]

[...] I’ve been careful to collect for our own records the prose, sketches, poetry, and Sumari she’s produced during this time of healing and testing.

(Last Thursday I finished the final pen-and-ink drawing of the 40 I’d planned for Jane’s book of poetry, Dialogues of the Soul and Mortal Self in Time.¹ I spent Friday checking the batch, then on Saturday morning I mailed them to Tam Mossman, Jane’s editor at Prentice-Hall. [...]

[...] Checking backward through past sessions and Jane’s poetry, I soon learned that her intuitive grasp of the term had always been truer than mine, for I’d carried the idea that “counterpart” implied a status of opposites rather than the complementary one it really does. [...]