“Seth material” search engine (Jane Roberts)

[...] Jane advanced to the point where she was able to translate some of this as we went along and the end product, in part, was some excellent poetry.

(Dialogues, a book of poetry, is described in the 639th session in Chapter Ten. Aspect Psychology, Jane’s own theoretical work on psychic matters, is referred to in the 618th session in Chapter Three, among others. [...]

[...] Yet at the same time, Jane in her poetry was trying to see through that pervasive belief. [...]

Jane and I thought it most interesting that within 29 days [in October] various events—the arrival of Volume 2 of Conversations, Jane’s coming through with her “attend” material and poetry, the visit of her former students, and even her contentions with Magical Approach—had helped her rejuvenate her sense of physical ease and well-being on at least three separate occasions. She wrote more notes, more poetry. [...]

[...] one of the few tapes we’d made together, or use our recorder when writing poetry. [...]

[...] Ideas for poetry, in particular, came so quickly that I hardly had time to write them down. [...]

[...] After supper, I did the dishes and worked on my poetry for an hour, and then Rob got out the board. [...]

[...] She is doing invaluable work as a research and editorial assistant; studying Jane’s notebooks, journals, and poetry, and putting together material from those sources to be included in this book. [...]

[...] The textbook division represents the workings of the intellect in the usual terms of rational thought, and in those books the qualities of the imagination, of the psyche, of poetry, of creativity, are quite lacking. [...]

[...] Now tell Ruburt that this book will in no way interfere with his own writing, neither with the Seth dream book, his novel, nor the poetry which he shall shortly begin again. [...]

(Through all of the mass and personal events referred to in the sessions and notes since she gave the 832nd session on January 29, Jane has occasionally written poetry and painted — and worked steadily at her third Seven novel: Oversoul Seven and the Museum of Time. [...]

[...] First had come her reactions to a group of upsetting letters she’d received this noon: One is a 20-page missive from a mental patient who wants returned to him all of the notes, objects, manuscripts, and books of poetry he’s sent her over the years: another is from a woman who informed us that she’s writing a book dictated by Seth: a third is a long letter from a man who’s claiming us as his counterparts, for reasons we can’t agree with. [...]

[...] Ruburt, being an excellent writer, certainly does not feel at the mercy of all of those unknown, uncounted hours spent in childhood writing poetry—so it is only your frame of reference that makes the former statement appear to be true. [...]

In the terms in which you understand them, no formal sessions have been held, simply communication at various times of the day which our probable Jane has learned to interpret through the poetry experience.”

[...] I suggest the following: that he worked at his writing certainly no less than four hours a day, preferably five; and that a portion of this time be given to poetry.

I have myself repeatedly urged him to write more poetry. [...]

It would help if he let himself go in the same way that he does when he works on his poetry. [...]

[...] She’s included a selection of Sumari prose and poetry in the Appendix of her novel, The Education of Oversoul 7, which Prentice-Hall is to publish this fall.)

[...] During this experiment, while reading some poetry aloud that the now-dead Father Trainor had often read to her when she was in high school, Jane’s voice had taken on an enormous male volume and strength. [...]

[...] Whose difficulties were minimal enough under the circumstances —one that provided creative freedom since, until Emir, Prentice had published his world-view books, poetry and novels, as well as my work. [...]

[...] Last week’s poetry served to refresh his creative energies, and in commitment to the book and to our work, and with your prayer activities. [...]

[...] Ruburt should give himself so much time a day—an hour and a half, say—for free creative thought, writing or whatever that turns into poetry, painting? [...]