“Seth material” search engine (Jane Roberts)

[...] I felt filled and at the same time light, a resemblance to the way I felt when reading the poetry for the recorder, during the Father Trainor experiment yesterday. [...]

(Long pause at 9:58.) He had been shy with people, shy about reading his own poetry, though determined to do so, yet he felt that he should become this public personality, or to perform. [...]

[...] There is therefore a great connection between creativity—poetry in particular—dreams, and psychic exploration. [...]

[...] In the face of those fears, Ruburt did progress from someone who was afraid to read poetry to friends, to someone who ran an excellent class of nearly 50 people—all of the time denying that any fears existed. [...]

[...] Some of Ruburt’s early poetry about the two of you was a reflection of that knowledge.

[...] Blessed are my hands and fingers through which creative energy translates intuitions, poetry, and knowledge to the typewritten page. [...]

(Much of tonight’s private material is the kind that eventually appears in Jane’s “own” works, such as Adventures, or is translated in her poetry. [...]

[...] The very consistent writing of poetry through those years shows its own kind of discipline, but people are not used to bursts of creativity. [...]

The sessions, dream activity, Ruburt’s writing of books, his poetry and his painting—these states by themselves contribute to his health. [...]

[...] And her book of poetry, If We Live Again, hovers in the background of her consciousness. [...]

[...] She’s “real pleased” with her progress on the poetry and essays for If We Live Again.

Even the nuns to whom he read poetry distrusted his fervency, and took him to task. [...]

13. In retrospect we can see how the mystical Jane has always tried to intuitively penetrate the nature of reality through her art; I’ve illustrated that learning process by presenting selections from her early poetry at apropos times throughout the two volumes of “Unknown” Reality. I also gave some background information on Jane’s nature (with a poem) in Appendix 1 for Volume 1.

[...] Yet, as Jane said recently: “It was there in the poetry all the time, only I didn’t understand.” [...]

[...] She’s spending her time with the sessions, working on her book of poetry, and painting. [...]

[...] He would through the years begin to approve of spontaneity in one more area—spontaneity in class, for example—or with Sumari poetry, or in finally approving his own psychic writings. [...]

You have a sense of rhythm, and more conventional musical knowledge than Ruburt, yet rhythmic patterns are very strongly in his makeup, and appeared earlier, silently so to speak in his poetry. [...]

[...] He also stopped writing what he thought of as pessimistic poetry, which had performed the same function, allowing for the expression of fearful emotions. [...]

[...] In fiction and poetry he allowed himself this intuitive freedom, but he was afraid to apply it to the real physical universe. [...]

My psychic initiation really began one evening in September, 1963, however, as I sat writing poetry. [...]

[...] It’s particularly obvious when I’m working on poetry. [...]

[...] The poetry is an excellent idea, and is serving many purposes. [...]