“Seth material” search engine (Jane Roberts)

Only poetry seemed Ruburt’s by right. [...]

[...] This feeling however, having its roots in “lack of rights” and his alliance with you, also provides him with the unity upon which his life is based: the poetry, the psychic work, and yourself. [...]

(Pause.) Units of consciousness do help form different kinds of physical realities—as indeed Ruburt has himself hinted in some of his poetry. [...]

[...] Yet I know that we’re delving ever more deeply into our psyches; Jane’s work with Seth, as well as her poetry and other writings, show that. [...]

[...] I quoted a poem (on animal consciousness) from a book of sketches and untitled poetry that Jane had created for my birthday last June. [...]

[...] Ruburt’s feminine characteristics however were tied up in his poetry and in his body, so obviously that you could not forget that womanliness.

(“Can Jane do this through her poetry?”)

[...] [We don’t expect to receive the page proofs for James, for correcting, until late next month.] Jane began to enjoy her break by writing poetry and doing some painting — but she surprised me when she also spontaneously began to rough out some of the notes for Psyche. [...]

(I don’t know how long I’ll continue to benefit from Jane’s assistance, though, since poetry, painting, and notes can all be quickly laid aside if she starts a new project, or resumes work on one that she’s kept in abeyance for some time. [...]

[...] This took place not on January 25, however, but on February 10, when the manuscript on the Seth material and the poetry book were mailed together. But Jane wrote letter #4, concerning the Seth material, on January 25. We did not use twine on the package, incidentally, but did use it on the package containing the tape recording Jane made of some of the poems in the poetry book. [...]

[...] It contained the manuscript for the book on the Seth material, plus that of the poetry book. [...]

[...] Listing them as I’ve done here is also apt to artificially set them aside from the flow of insights within the poetry Jane has written since childhood; actually, of course, all are related.

Writing poetry for Ruburt is excellent in that regard. [...]

[...] Let alone the bulk of Jane’s other work: her poetry, novels both published and unpublished, her other published books, an unfinished autobiography, the records of her ESP class sessions, her journals and paintings, her singing in musical trance language, Sumari, her never-ending correspondence. [...]

(“Seth, is Continental going to publish Jane’s book of poetry?”)

If it is directed into his poetry, his writing, and projection attempts, peaceful, enjoyment and pleasant social engagements, then unbelievable advancements will result. [...]

[...] Anne’s letter lay on the table before us tonight, with a pack of file cards pertaining to Jane’s poetry that Blanche had had on file for safekeeping in Baltimore.

The collection will include our family trees; my father’s journals and photographs; Jane’s and my own grade-school, high-school, college, and family data; our youthful creative efforts in writing and painting; the comic books and other commercial artwork I produced; our early published and unpublished short stories; my original notes for the sessions; session transcripts, whether published or unpublished, “regular,” private, or from ESP class; tapes, including those made in class of Jane speaking for Seth and/or singing in Sumari; our notes, dream records, journals, and manuscripts; our sketches and paintings; Jane’s extensive poetry; our business correspondence; books, contracts, and files; newsletters about the Seth material, published in the United States and abroad (independently of Jane and me); the greater number of letters from readers—in short, a mass of material showing how our separate beginnings flowed together and resulted in the production of a joint lifework.

(No session was held today, but I want to present a mix of poetry and notes.

The scientist’s (Truzzi’s) letter had some good results, in crystallizing your attitudes in Ruburt’s poetry, and in passages for his book. [...]

(Jane thinks her work, her poetry, is good. [...]

(4:11.) That is the natural, creative way to function, and it has provided him with many excellent books and poetry. [...]

Poetry was acceptable. [...]