“Seth material” search engine (Jane Roberts)

Taken together, the Inner Senses will give each individual a picture of reality as it exists independently of physical matter, an image of the inner identity that is his own. [...]

(I should also add that Sue, one of the aides we’ve become acquainted with, showed us pictures of her two young sons. [...]

[...] She is also projecting the negative picture into the future. [...]

[...] You do not understand that your own abilities give you a far clearer picture of the “ideal,” for example. [...]

[...] As a rule, however, it is foolhardy to expect them to have a sense of the artist’s values, whatever the art may be, and then to become upset when they do not live up to that picture. [...]

(Long pause at 9:55.) I do not want to define for you an ideal picture to which you can never live up. [...]

You made some comments very important to him—further illuminating how his past beliefs colors his thoughts, so that he looked at the worst side of the given picture. [...]

Many people go through several such transformations, using symbolic transformations then that still serve to focus wonder and curiosity while keeping them well within the accepted picture. [...]

[...] Long pause.) Ruburt is trying to move outside of the picture entirely. [...]

Now: when you are painting a picture and you have a good start, you do not think to yourself “I have a good start, but I will most likely ruin what I have begun.” [...]

[...] Ruburt’s lapses are far more significant, of course, than your own in the entire picture. [...]

[...] You said some of those old languages involved pictures and symbols. With your help while she’s in trance, could Jane make drawings of a few picture-words or symbols? [...]

Ruburt was correct: The picture of you, taken on the hill in the front yard (by a friend), portrays you as far as your stance toward the hill house and land is concerned. [...]

[...] Yet the full picture of our moving should include not only the myriad probabilities growing out of our own actions, but all of the probable developments involving that house next door: Whatever happenings take place there — which we’ll help create — are bound to have their effects upon us.

[...] Diana had found an article about Jane, with picture, in a book on the history of Chemung County and Elmira. [...]

[...] It was not, for example, precognitive, but it did inform you — using images and feelings — of the picture that was sometimes painted in different terms by your conscious thoughts. [...]

[...] It is only when the us-ness of the self begins to fade that a sense of relative personal helplessness begins to mar the picture of subjective experience. [...]

Now I am giving you, presently, the picture as seen by your subconscious. [...]

(“Why did Jane and I find his photograph so striking?” Sunday at the family home in Sayre, I found a copy my father had made of a very old picture of Otis. [...]

You recognized the entity that he will become, and so did your father, unconsciously, when he took the picture. [...]

(To Gert.) Now I thought my pictures were very good, and our movie-taker over here, if not expert, most acceptable. [...]

Now I am going to close our session so that our Lady of Florence and our Alison, over here, can view the premier pictures. [...]

[...] Other portions should explain your own ideas concerning creativity as you feel it in yourself — the differences and similarities between your experience when you paint a picture from “usual” inspiration and when first of all you perceive the psychic impression that leads to a painting. [...]

The control panels of the nuclear plants, many of them, were designed as if consciousness did not enter into the picture at all, as if the plants were [to be] run by other machines, not men—with controls that are not handily within reach, or physically inaccessible, as if the men who drew up the plans had completely forgotten what the species [is] like mentally or physically.

[...] Through doing so, I hope to give a truer picture of your own dimension, and to continue our discussion about the gifts and seeming defects that are genetically inspired.

[...] If you suddenly turned an inch to the right or the left you would not be altering your body, but simply changing its position, increasing your overall picture, turning very cautiously from your initial position. [...]

[...] There were pictures drawn of cellular structures long before any technological methods of seeing them were available, in your terms.

[...] Simply put, a world view is a living psychological picture of an individual life, with its knowledge and experience, which remains responsive and viable long after the physical life itself is over. [...]

[...] For this manuscript not only presented a fascinating picture of a genius at work, but gave specialized knowledge of a field — art — in which I am at best an amateur. [...]

[...] The pictures were truly awe-inspiring. [...]

(In The New York Times tonight I read an article, with pictures, of the Mars probe currently underway by our Mariner spacecraft. [...]

[...] We had been discussing the very intricate and extensive bas-relief carving pictured on the doorframes and lintels of the ruins at Baalbek in this instance —not say the in-the-round carving shown on columns, etc.