“Seth material” search engine (Jane Roberts)

[...] All of this describes a photograph of Shirley’s grandfather not uncle; a photo she had not seen until approximately four days before this session.)

[...] All of this describes a photograph of Sally’s grandfather—not uncle; a photo she has not seen until approximately four days before this session.)

(It will be remembered that our 2nd envelope test, held during the 180th session, was held on August 23, and that it featured a photograph of Jane at York Beach. [...]

(Tracing of the black and white photograph used in the 11th envelope test, September 29,1965, in the 194th session.)

It may be a photograph of the earlier mentioned impressions, you see, if not a photograph (Jane’s eyes now opened, wide and very dark. [...]

[...] Has he visited someplace with this kind of entrance, for example, or does he have a photograph of such a place…

[...] A connection with a photograph, and some sort of grand affair, such as a ball.

(“A connection with a photograph”, referred we thought to the fact that my brother took color pictures of the wedding. [...]

(“Were we correct concerning our interpretation of the photograph data?”)

[...] Ruburt thinks of a photograph of a waterfall at your old camping place.

[...] It lay in my drawer, and was not next to or near any other photographs, for instance.

(It will be remembered that in connection with the test photograph used in the 180th session, Seth/Jane stated: “...and a border. [...] The test photograph has a white border. [...]

(Front and back tracings of the 1959 color photograph used in the 5th envelope test, in Session 185, September 6,1965.)

[...] The object was a photograph. [...]

[...] The photograph was taken on the woman’s birthday, and the corsage was a surprise.

[...] A photograph is no more a relic than a fossil is. [...] A photograph lives in the present of your psyche, and a fossil in the living vitality of your cells (spelled).

[...] I have photographs of it, and intend to repaint it some day. [...]

Some private papers hidden, mingled with old photographs in poor condition. [...]

[...] These books contained plans and photographs. [...]

[...] Again see my sketch of the photographic negative on page 255.

The photograph was taken at four o’clock in the afternoon.

[...] Rooney, incidentally, can be seen in a photograph with Jane on the jacket of The Seth Material, hard cover edition.

[...] They can give you correct information about the “past,” even as your parents’ photographs can tell you about a time in which you did not directly participate (in your terms). The old photographs will strike a chord within you, however, and so will the psychic memories.

(There is the top half of a photograph on the back of the object, on the right. [...] It is indistinct in the poor quality photograph, but can be made out. [...]

[...] “I looked down and saw that I wore black shoes and white socks, like little kids do, like I look in some of those old photographs.” [...]

[...] I planned to ask Seth about photographic evidence of such an event, following break, but did not get the chance to.

(In the last session, Seth began discussing separate photographs of Jane and me [taken at the ages of 12 and 2, respectively] in connection with his ideas about probable selves. [...]

The Butts family albums contain numerous photographs of my father as a young man, many of them self-taken with the aid of a timer; he poses with a variety of automobiles and motorcycles through the years before his marriage to my mother in 1917, and afterward, too. [...]

[...] Buttons, many of them, are clearly shown in the photographs of clothing for sale. These same models are also the figures Seth mentions, and as you can see from the photograph of the page, the women’s faces give a skull-like impression, with their hair pulled back. [...]

“A connection with a photograph or other like object.” [...]

[...] This evening he showed Jane and I a family photograph taken when he was about J.J.’s age, and of course the physical similarity was even then unmistakable. This old family photograph, incidentally, included Jimmy’s father, whom Jane and I had not met, and who is referred to in the following session material.)