“Seth material” search engine (Jane Roberts)

[...] My father had photographed it.

[...] All we have are a few photographs Del took of Marie not long after their marriage. [...]

I was disappointed that I wasn’t able to see the television program, because I’ve never seen myself as Seth in trance except in a few photographs. [...]

3. Yes, I learned from several reference works containing photographs, drawings, and maps, Jerusalem before A.D. 50 had been walled in. [...]

[...] Her determination even shows somehow in photographs taken when she was of preschool age. [...]

[...] Debbie had pointed out a photograph of it in a local real estate catalog, and we were quite aware that it bore a good resemblance to the house we’d considered buying in Sayre, Pennsylvania, in the spring of 1974.³ Besides being bungalows, both houses were of about the same age, and even of similar colors.

[...] I talked of having them copied and enlarged by a professional photographer; I speculated about eventually having some of them reproduced in a book. That idea may have to wait, however: For some years Jane hasn’t cared to be photographed—or [...]

[...] The effect was rather like that of a photographic negative. [...]

[...] The buttons appear to be cloth-covered however, in the photographs.

[...] Jane’s publisher F. Fell, has written asking for photographs pertaining to the Seth book; in connection with this and in answer to my question, Seth said he would be amused to see a reproduction of my painting, purporting to be Seth, in the book. [...]

(Peggy Gallagher was due this evening, to photograph Jane while in trance. [...]

[...] That is, you can perhaps sense or remember an earlier moment intuitively or capture an earlier moment visually as in a photograph, or audibly as in a recording. [...]

The 699th session, in Volume 1, dealt in part with dream images and subjective dream “photographs.” [...]

[...] In his later years my father, Robert Sr., had trained himself to become an excellent professional photographer. [...]

[...] A mutual friend sent us photographs of the big old red-brick building, three stories high, shuttered and dark and deserted among the trees and in the snow.

[...] Theresa Smith showed Laurel and me color photographs of her very original modern art in progress, and talked about her goals. [...]

[...] These include the thousands of pages of the Seth material, regular and deleted [or private]; Jane’s and my own journals and other miscellaneous manuscripts, written records, and notes; ESP class tapes; some of Jane’s poetry and art, and some photographs of each of us. [...]

[...] At the moment, even the fragment she recalled is well worth trying: Seth instructed the reader to immerse himself or herself in an old photograph of a person — and then to look out at our current physical reality through that individual’s eyes. [...]

[...] And Laurel Lee Davies, the young lady who’s now helping me carry on my publishing activities, at once intuitively picked out from my files the one right photograph of Jane to us for Seth, Dreams … Jane’s father, Delmer Roberts, took the snapshot when she was on vacation with him in Baja, California in 1951. [...]

[...] Father Trainor, in the photograph we have of him, was a very heavyset man. [...]

[...] Twelve days after the venting was completed, two engineers from TMI entered the enormous containment building on the first brief inspection trip to gather photographic, radiation, and other data.

(Note: All of the photographs of Jane that appear in The Seth Material were taken in the living room of Apartment 4 early in 1970; glimpses of the room appear in those shots. [...]