“Seth material” search engine (Jane Roberts)

Your painting will now spur you on.

All of these projects are interconnected, and they will help both of you in your writing and painting, and greatly increase your capabilities in your own fields. [...]

(Here Seth refers to a painting I began yesterday, in line with approach two of the suggestions he gave me in the last, 456th session, I am following his suggestions and they are working well.)

[...] There is simply a cutoff point in your focus from your framework, but it is as artificial as, basically, perspective is applied to painting.

Many artists unknowingly paint portraits of their simultaneous selves.³  Many mothers find themselves feeling younger than their offspring at times, or about to call some of their children by different names. [...]

[...] I recalled an item on the roof I had been trying to paint lately. [...]

[...] I painted for an hour this morning while Jane slept, but felt a peculiar heaviness or loginess I was unaccustomed to. [...]

[...] The walls of our living room are hung with my paintings and drawings, some of which are framed. [...]

Your personal work, both yours and Ruburt’s, will benefit whoever sees your paintings or reads Ruburt’s poetry. [...]

The patterns for the earth and for its creatures were as real before their physical appearances, and far more real than, say, the plan for a painting that you might have in your mind. [...]

[...] Your own painting is showing definite advances. [...]

[...] They displayed an exquisite artistry in their toolmaking, painting, and religion—indeed, in their whole culutre. [...]

Ruburt should definitely begin some kind of energy exercises, as I suggested last evening, and take other creative approaches toward the setting-up of the therapeutic situation—some painting or poetry or writing or whatever should be reinstigated. [...]

[...] I speculated about my painting of the Italian woman, as I call her, and about a passage I read recently in Seth Speaks; in it, Seth had mentioned that he’d been a black in Ethiopia. [...]

(The room, my studio, in which I wrote the suggestions for Jane’s new book title, has yellow painted walls. [...]

(Yesterday morning, then, while painting, the thought came to me clearly: Jane does the Seth books just to please me. [...]

[...] Helping Jane, taking care of the house, typing sessions, working on taxes and other correspondence, filing, painting—these things and many others are more than enough to keep me going indefinitely. [...]

[...] Then early this morning as I was painting in my studio, that same cadence came sounding down through a fine rain.

[...] Such practices can lead you to use your own “history” so that it gives a very distorted picture of who and what you are — a picture that then paints your present circumstances.

You often project when you are painting, and you do not know it.

[...] You will paint the situation for yourself by using many different dramas. [...]