“Seth material” search engine (Jane Roberts)

[...] As stated the stamp on the object is gray blue, and bears a figure 5. It seems however that this data probably refers to the figure of Mother Goose, shown on the object, and to the statue standing upon a base that is painted blue. [...]

[...] I have obtained the paint to do her workroom. [...]

[...] Painting is a language. [...]

painting...........Robby

[...] Your best energies were going into your work, he felt, at the job, not into painting, and the very focus divided you. [...]

You can also find many connections between psychic activity and color and painting in which you are interested. [...]

(In a further effort to relax, Jane worked on a painting of her own until 8:30 PM. [...]

[...] You will pick up intuitional data concerning various personalities in action, and this will aid you in your painting.

[...] Bert first got Jane interested in teaching; he is also an artist, and paints abstracts.

[...] The very optimistic remarks as to books being published and involving painting sales occurred in this manner.

(Reduced copy of the tracing of the paint pattern used as the object in the 54th envelope experiment, in the 259th session for May 16,1966.)

[...] I have mentioned the advantages of a painting over a piece of sculpture, and an idea not fully captured will find further expression.

[...] Your wife’s name I believe when you grew was Nell B-r-o-w-n-e-l-l. You will find an affinity to horses or with horses if you try to paint them.

[...] For as you view a painting and it has a frame, so do you view the centuries and put separate frames around them….

[...] I haven’t been able to get back to painting since Jane left the hospital, and I’ve had to hire help to mow the grass. [...]

(Also, glimpse of teen-age boy in light clothing and sneakers trying to crack some walnuts on a painted wood floor by stamping down on them energetically with his left foot. [...]

(On October 15, 10 days ago, I dreamed Jane and I moved closer to New York City so I could sell my paintings—or so I wrote, rather than comics for instance. [...]

In the past he stayed at the gallery despite some natural disadvantages, because of the independence which he enjoyed there, because of the commitment mentioned earlier, and because of innate interest in paintings which surrounded him. [...]

[...] Seth first announced his presence by name in the 4th session for December 8, 1963; I painted him in 1966.

[...] Sometimes they see him as he appears in the portrait Rob painted of him. [...]