Books:
TSM,
SS,
NoPR,
UR1 2,
NotP,
NoME,
TMA,
DEaVF1 2,
SDPC,
WTH,
TES1 2 3 4 5 6 7 8 9,
TPS 1 2 3 4 5 6 7,
ECS 1 2 3 4,
✖
Results 521 to 540 of 615 for stemmed:paint
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UR2 Section 6: Session 736 February 5, 1975
Milumet
Zuli
Sumari
Foster
family
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 6: Reincarnation and Counterparts: The “Past” Seen Through the Mosaics of Consciousness
– Session 736: Characteristics of the Various Families of Consciousness
– Session 736 February 5, 1975 9:24 P.M. Wednesday
[...]
It was a ranch-style, cedar-sided dwelling that had just been painted a dark green — a conventional one-story affair with white shutters, a fireplace, a picture window, an attached double garage in back, and many trees and shrubs.
[...]
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UR2 Section 6: Session 737 February 17, 1975
house
family
Foster
Borledim
Sayre
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 6: Reincarnation and Counterparts: The “Past” Seen Through the Mosaics of Consciousness
– Session 737: A Further Discussion of the Families of Consciousness. House Hunting and Probabilities
– Session 737 February 17, 1975 9:26 P.M. Monday
An artist expects his paintings to be good — or, if you will forgive a jingle: at least he should.
[...]
[...]
She paints as a hobby.12 You did not consciously pick out real estate people who had artistic connections, but you were led to them and they to you.
[...]
►
TES5 Session 216 December 9, 1965
roof
painless
brother
debt
needle
– The Early Sessions: Book 5 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 216 December 9, 1965 8:30 PM Thursday Unscheduled
[...]
You are still concerned for Ruburt because you realize that as a matter of survival added funds for your family would have to come from his efforts, since your own painting time is too important to lose.
[...]
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TES8 Session 381 November 24, 1967
table
Carl
pressure
floor
Claire
– The Early Sessions: Book 8 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 381 November 24, 1967 Approximately 10:45 PM Friday
[...]
Later he told us he was afraid the table would either crash into the ceiling—since Carl was tall enough—or would hit a nearby wall where several of my paintings hung.
►
TMA Session One August 6, 1980
rational
assembly
magical
approach
measurements
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Session One: Assembly-Line Time Versus Natural, Creative Time. The Rational Mind Versus the Artistic Mind
– Session One August 6, 1980 8:48 P.M., Wednesday
[...]
If you are a writer or an artist, then it seems that you must produce so many paintings or books or whatever as, say, an automobile worker must process so many pieces of the overall car chassis.
[...]
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UR2 Section 6: Session 741 April 14, 1975
Street
predict
prime
series
probabilities
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 6: Reincarnation and Counterparts: The “Past” Seen Through the Mosaics of Consciousness
– Session 741: How You Move Through Probabilities. Predictions and Probable Acts. The Prime Series of Events
– Session 741 April 14, 1975 9:21 P.M. Monday
[...]
Except for the few listed below, then, it may be sufficient to just state that we’ve been in our hill house for a month, and that after much hard physical labor2 we’ve settled down enough to resume our natural rhythms of painting, sessions, books, and play.
[...]
►
TES4 Session 189 September 20, 1965
Beach
Instream
York
test
script
– The Early Sessions: Book 4 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 189 September 20, 1965 9 PM Monday as Scheduled
(Five items could be the station wagon, a cup of coffee, a pile of bricks, paint-stained khakis, and the world itself; but this is open to other interpretations, we would say.
[...]
►
TES2 Session 75 July 29, 1964
structures
psychological
perspective
construction
hatred
– The Early Sessions: Book 2 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 75 July 29, 1964 9 PM Wednesday as Scheduled
Now imagine the idea, not of triangle, but the idea which has the shape of a triangle, being then expressed in architecture, in a philosophical dissertation, in color, in a sculpture, in a poem, in a painting, in music, and also in so-called natural phenomena such as the shape of a rock, the angle of a shadow, a portion of a crystal, a tree branch.