“Seth material” search engine (Jane Roberts)

[...] One would expect the pages of the pad to be white, ready for drawing. Instead, as Mary lifted the cover of the pad, holding the pad out for Jane and me to see, we saw that the top page was covered by a lovely large floral pattern of leaves and flowers, as one might see on bedsheets these days. I examined several pages of Mary’s pad and saw that all of them were covered by the same design, in reds and greens, etc. The pattern made the pages of the pad quite useless for their ordinary purpose. [...]

[...] Not comic books, however, but a syndicated fantasy-adventure story to be run in color and take up a full Sunday newspaper page. [...] I saw my art for the first page, perhaps half again as large as the printed version would be, lying on a flat drawing table. [...]

[...] In the dream, I’d left certain areas blank in the panels making up the Sunday page, and my nameless assistant had done the art to fill in those places. My main character, a male who wore a tight-fitting Superman-type costume with a flowing cape, occupied a space several panels high right in the middle of the page — quite a daring concept for a comic layout. [...]

[...] See the tracing on page 101. [...]

[...] This includes humidity, barometric pressure, etc., as detailed on page 97. [...]

(See the tracing of the test object on page 101. [...]

(See page 101.)

[...] See the tracing on page 124.

[...] I have indicated the window heavily on the tracing on page 124. [...]

[...] In the photo the tree branches in their left background form an interesting pattern also, with the building mentioned at the top of this page seen behind them; usually when Jane uses the word miscellany to denote irregular shapes the data is too general.

[...] I have ruled in the border on the tracing on page 124; actually it cannot be seen.

You would call whole pages of the [Dead Sea] Scrolls tremendous put-ons, since whole pages, in literal terms, are not true. [...]

These people were much given to codes; even the arrangement of the letters upon the pages, as you think of pages, had their meanings. [...]

[...] They were not blazed in gold on the title page. [...]

[...] Presumably Seth refers to the writings she has sent out recently. Her publisher, F. Fell, has written expressing interest in her book on the Seth material and on the poetry book described in the 232nd session, page 269. [...] See page 287 in Session 233. [...]

(See the tracing of the envelope object on page 301. [...]

(How much of this data on page 305 might pertain to the Instream object we do not know, but Jane had intuitive feelings that a bleed-through had occurred involving the envelope object. [...]

(Jane felt that the following impressions on page 305 could very well apply to the envelope object:

[...] See my notes prior to the 206th session, pages 57-58. [...]

(See page 110.)

[...] The increase in the flame’s height had not been as sudden and dramatic as in the two previous instances noted on page 117. [...]

[...] There may be a book, a fairly large one, beneath the paper, with something like dull gold-edged pages, or so it would appear when the book is closed. [...]

The book is not something that can be done in between times, as there should be a grouping of subject matter, rather than a strict page by page rendition. [...]

[...] See page 158. [...]

(For other narcotics material that has developed since Seth made the prediction, see the notes on page 170.

(In the 68th session, July 6, 1964, page 221, Seth stated that our friend Bill Macdonnel, who was going to vacation in Provincetown, Cape Cod, for a few weeks, “will of course go to the seaside. [...]

[...] With Winged also makes interesting reading along with the verse from her much earlier poem, Summer Is Winter; see page 1 of Volume 1 of “Unknown” Reality).

(See the copy of the first draft of my letter on page 31. [...]

[...] Also, checking out the building data described on the last page, we saw that flowers were used as decoration for both the Lodico office, and the medical office building with the flat roof, across the street. [...]

[...] See the sketch of the abstract on page 39. [...]

[...] See the original interpretations on pages 36 and 37.

[...] I did not really feel like taking fifteen to twenty pages of dictation from Seth; I was concerned lest I miss some of the material.

[...] They follow on the next page, and are an accurate account.)

[...] See page 149-150 for an explanation of the circumstances surrounding the questions sent to Jane by Pat Norelli’s friend Roger.

[...] See page 149 for a copy of Roger’s questions.)

[...] See page 153 of the last session, concerning the old-fashioned little man Jane had seen in image form. [...]

[...] I thought Ruburt might like to get some information directly from someone who had a greater interest in such matters than I, and I paged our good friend.

[...] She did fairly well, though not as good as yesterday, and finally got through the six pages at 3:34. She held the pages okay in her left hand, though. [...]

(Thinking this point over after Monday’s session, I did not recall Willy making any fuss, except for the one time detailed on page 211, during the session.)

(See the 9th session, December 18/63, page 43, in Volume 1.)

[...] See the floor plan on page 223. [...]

(See page 219, 68th session.)

I will congratulate you both on your handling of today’s situation and Prentice, and taxes (and sample page proofs for Volume 1 of “Unknown” Reality). [...]

It is as if you have page 5 of a book, and glare at it because the entire manuscript is not there, and fuss and fume at what might happen to prevent the next page being written. [...]

Now: instead of dealing with large issues, Ruburt is to write at least a page about his feelings that day, with particular emphasis upon any issues that bother him at all. [...]

I do not know how you want to handle this, but the two of you should go over that page of feelings together. [...]

[...] See the tracing on page 72, and the notes describing it and its circumstances on page 73. [...]

[...] See the tracing on page 72. [...]

[...] See the pencil drawing on page 72. [...]

[...] The tracing on page 72 is made with the same pen used to produce the writing.

(See the tracing of the object on page 91, and the notes on page 92. [...]

(The 47th envelope experiment was held during the session, as noted by the tracing on page 91. [...]

[...] See page 85, etc.

[...] See the tracing of the object on page 91. [...]

[...] It was simply that I’d bring in one of the Seth books and start reading it to her a page at a time. [...] I added that as soon as she could handle pages, I could take the book apart so that she could hold each page up while she read it when she was alone. [...]

(This took half a page or so, and the session ended at 12:03 a.m. Jane was very surprised at the time involved in delivering the title for Chapter Seventeen. [...]

(Jane was left with a page or so of fragmented notes and a couple of possible chapter headings. [...]

[...] We received the printer’s sample pages for Seven Two on December 4 [we see these for each book, and they show us just how the work will look when published]. On December 7 the copyedited manuscript for Volume 2 of “Unknown” Reality came; it’s more than 900 pages long, and painstakingly checking every word on every page of that book kept us busy until Christmas Eve; I mailed it to Tam on December 26. [...]

[...] I rechecked my opening notes for the last session: Yes, we did finish correcting the page proofs for James early in April 1978. [...]

[...] Seth came through with half a page of information for Jane — personal material that’s deleted here — then ended the session at 10:34 P.M. “I’m so unsure of myself it must be terrible,” Jane said as soon as she came out of trance. [...]