“Seth material” search engine (Jane Roberts)

[...] Seth said that Jane would publish 5 books on the Seth Material; 3 novels; 3 books of poetry; plus 2 books to be dictated by Seth himself. [...]

[...] In one way it could be called an offshoot from another department, but it is too novel to be so described. [...]

[...] Exultation and comprehension, new ideas, sensations, novel groupings of images and words rushed through me so quickly there was no time to call out. [...]

[...] The early novels, published, would have led to another kind of personal problem, since all involved were living. [...]

[...] Suppose you find yourself in a room with certain people, and you recognize later upon awakening that this room and these people both belong to a particular sequence in a novel. [...]

Had he left the gallery when his novel was published, he would by now have one and a half times his present income from writing. [...]

“Ruburt has implied in [his novel] The Education of Oversoul Seven that some archaeological discoveries about the past (underlined) are not discovered in your present because they do not exist yet. [...]

2. I’ll remind the reader that Jane has already received inspiration and material for two books from her amazingly creative dream state: her novel, The Education of Oversoul Seven, and James. [...]

[...] “My science fiction novel that came out in Fantasy and Science Fiction years ago. [...]

[...] As stated, the paper the object is printed on is of an orange brownish color that is quite novel and attractive. [...]

[...] Jane worked part-time as a secretary for Elmira’s Arnot Art Museum, and wrote two unpublished novels—and one that did sell. The Rebellers was published in a two-novel paperback edition that she disliked intensely. [...]

[...] (I was especially fascinated by horses, but have yet to ride one!) While a sophomore I wrote a novel that I typed on the same kind of yellow paper and bound into a book, I even tried—unsuccessfully—to sell it. [...]

[...] The archives contain a complete copy of my original typed pages of the Seth material in its 46 three-ring binders; many editions of the Seth books and Jane’s “own” books in English and in translations; her published and unpublished novels; her journals and poetry; her notes and papers, and mine; various published Seth journals; treatises and websites on the Internet (some nice, some not so nice); plus other relevant, indeed very evocative material like the reader correspondence from this country and abroad. [...]

[...] Later, upon awakening, you realize that both the people and setting belong to a particular sequence in a novel. [...]

[...] Along with his addition of simultaneous time, I’d say that the concept of counterparts provides reincarnation with a novel approach indeed; and that our awareness of both has always been latent within the reincarnational framework, whether in simultaneous or linear terms.

[...] She also worries about a delay before her next project is accepted, remembering the long delay between her first novel, The Rebellers, and the acceptance of the ESP book—at least a year. [...]

[...] At times the creative pace grew even more complicated: From March to July 1972, she put Adventures aside completely to write her novel, The Education of Oversoul Seven, when that idea spontaneously came to her. [...]

(From the ESP class session for January 7, 1975:) Ruburt can do many things that surprise me — that I did not do in my past, for remember that fresh creativity emerges from the past also, as in Ruburt’s novel, Oversoul Seven.²⁹

[...] We were very dissatisfied with our status quo: After years of work, Jane had managed to publish but a few poems and a few pieces of science fantasy (several short stories and two brief novels), and in my own view I wasn’t making it as the kind of artist I wanted to be. [...]

Jane then hands me a manuscript, a novel based on the August 11th dream encounter we had, from her perspective, but it includes this present dream experience also, the Seth breakthrough and someone named Michael J. Anthony. [...]

‘In that probability, you, Rob, painted constantly and Jane had published a bunch of short stories, a novel and poetry even before this got started. Do you do this now?’

[...] Involved here also, I added, were certain ideas in her novel The Education of Oversoul Seven.²

[...] Our fifty- or sixty- or seventy-year life-spans are like self-contained novels, well plotted and executed.

[...] Within the next several years she sold a number of additional stories to the same magazine, as well as two short novels, and also published poetry and a little fiction in other markets.