“Seth material” search engine (Jane Roberts)

[...] You only perceive it in slow motion.

“The eye projects and focuses the inner image (idea) onto the physical world in the same manner that a motion-picture camera transfers an image onto a screen. [...]

[...] It will come from psychic motion. [...]

Now, our object seems to be round, like a top: And also, like a top, capable of some motion. [...]

[...] You merely see it in slow motion.

[...] I also think that Jane’s sensing of her true path reflects her understanding of Seth’s subsequent remark at 10:16 [in that 613th session]: “The feeling-tone is the motion and fiber — and timbre — of your energy devoted to your physical experience.¹¹

[...] You set them into motion, but then they follow their own laws and realities. [...]

(From the 211th session for November 24, 1965:) First of all, as far as the hands are concerned, to be left- or right-handed has to do with inner mechanisms and brain patterns that come first, before the motions of the hands. [...]

[...] The constant motion within them is caused by the unending perceptive nature of any consciousness, however minute in your terms. [...]

“The entire act has its own electromagnetic reality, and the event is actually electromagnetic motion. [...]

(Jane gestured with the fingers of her right hand spread and pointed downward; she made vertical motions with the hand. [...]

[...] The “I” who dreams, who is aware of motion, action and participation in a dream, this “I” is of course the inner self, focused momentarily upon the particular subconscious layer at which the dream is originated.

[...] I knew that each person I saw had free will, and yet each motion was inevitable and somehow there was no contradiction. [...]

[...] Falling dreams are also simple experience in many instances, representing downward motion, or a loss of form-control during projection.

(Her eyes still closed, still holding the envelope to her forehead with her right hand, Jane made a large horizontal curving motion with her free left hand. [...]

[...] I have initiated the idea of motion, for true transparency is not the ability to see through but to move through. [...]

[...] First of all, as far as the hands are concerned, to be left-handed or right-handed has to do with inner mechanisms and brain patterns that come before the motion of the hands. [...]

[...] I had no form as far as I knew, but I possessed complete freedom of motion—something like conscious air. [...]

(She enjoyed the exchange a great deal, she made sketches while speaking on such subjects as the many facets of the electron and its behavior; time and its variations; gravity, its changes with motion, and its attributes in the past, present, and future; the velocities of light; mathematical equations; astronomy, including perceptions by telescope of the future as well as of the past; the structure of the earth’s core; earthquakes and “black” sound/light; language, including glossolalia and her own Sumari; pyramids, coordination points, and so forth. [...]

They saw a motion picture about a woman with lovers, and a cripple, or perhaps a dwarf. [...]

(Giving this material during the session, Jane felt the motion, very swift, of the turn.

[...] But any motion of ours remains quite valid once it’s conceived, and is carried out in all of its variations by probable selves in other realities. [...]

[...] … The effect of any thought is quite precise and definite and set into motion because of the nature of its own electromagnetic identity. [...]