“Seth material” search engine (Jane Roberts)

Augustus One’s moods of course were a direct result of the ideas he was entertaining. [...]

[...] His mood was despondent. [...]

[...] Opaques are excellent to suggest a heavy or dark mood. [...]

And as autumns fierce / moods have their /
reasons—in nature’s / deeper sanity / so must…/
my undeviating / direction— /
Though my thoughts’ leaves singly / seem separate /
they ride in one elemental / force / carried weightless— /
Then with them let me / be so supported /
though my tumultuous journeys carry me, / like them, /
above stormy treetops. [...]

[...] The weather, however, is the result of the world’s natural moods, and intuitive predictions would be far more predictable, for they would deal with those variables that cannot appear, or be predicted, at the exterior level.

[...] Because I am in a chatting mood, and I have goodies.

It was during your illness that he began to watch your face for a hint of your mood and feelings—a tendency he has relinquished only lately. [...]

[...] For example, had your attitude been different and your whole emotional atmosphere been different, and had you in a mood of fun and free giving thrown cards upon the table when I was speaking and said, “Seth, what is on the other side of the cards?” you may have gotten an answer. [...]

[...] Yet Willy spent at least five minutes making a careful survey of the studio; he remained in a very jumpy mood until just before the session began.

[...] There is an emotional rapport that also carries Ruburt along when my spirits or moods then also sweep him along; and again the Jane ego is content to stand aside. [...]

(However, once the three of us began talking about a “seance” [a word I did not want to use describing our sessions and experiments], getting into the mood, we found ourselves trying things that ordinarily we might not have considered.

[...] Yet I tell you that in such a body you would finally feel like a prisoner, for your moods and reflections, your feelings and your thoughts, would find no responsive mirror in your flesh. [...]

Now, all of you here now know that the dead are not necessarily quiet, and that there is no somber mood necessarily connected with those who are no longer alive, in your own terms. [...]

[...] He constantly picks up and reacts to your moods, subconscious as well as conscious, interprets them, and translates them into physical realities, because of your psychic closeness and his strong telepathic abilities.

[...] Besides this, of course, my own moods, speculations, joys and sorrows have spun their earthly web through my mind on such days. [...]

[...] Both of us were tired and not very much in the mood. [...]

[...] I’ve never seen Seth in such a good mood. [...]

[...] Now these cause the variation in your moods. [...]

[...] And if Ruburt’s voice sounds rather dreary in this transitional phase, I myself am in a very playful, you might say, frisky mood. [...]

[...] On other occasions he would write nighttimes, letting those hours by themselves create their own moods of secrecy and isolation from the social environment. [...]

[...] Everything seemed to work together in perfect order—table, our moods, etc. [...]