“Seth material” search engine (Jane Roberts)

[...] They may think that poverty is demeaning or humiliating or threatening, yet want it despite those conditions for other reasons that may or may not have anything to do with money, per se. [...]

[...] But people who write you, for example, saying “I want to make good money, but all my jobs are innocuous, or I have none,” are not facing the fact that for the time being, at least, they want poverty. [...]

[...] Unconsciously, this verified his fear, that next year also he would make no money writing. He was pleased with the raise on a conscious level, but felt it blood money.

[...] Enclosed was some belated birthday money.)

[...] This mainly involved the idea of leaving your job, particularly as money accumulated in the bank.

[...] As far as the idea of doing nothing, I explained to her that I thought saving money would enable us to get our own living quarters eventually, and thus solve some long-range problems. [...]

[...] Some of them ordinary-enough concerns that anyone would have embarking upon a trip, about money, etc. [...]

[...] My drive was being met, and yet the money was being used to support a status quo that I could condone only for the first several years in Elmira.

[...] The purpose twofold: to see that he worked creatively himself, and could not have a job, and to have money so that you could paint full time.

[...] I was caught between using my energies to help Ruburt create, and trying to get money through the creativity for you to quit. [...]

Spending money as Ruburt has been doing, and his freedom with his creative-writing money, will give him more. [...]

[...] His enjoyment of class money will lead to more. [...]

The money was also a symbol of communication as far as both of you were concerned. It was not the money, but your ideas about the money. [...]

[...] so that we could control the money.... [...]

not the money.

[...] Money-wise you will be fine, and trust Ruburt in money matters. [...]

While he worries sometimes about future money, or how he will make out, generally speaking he can handle that, and knows that left alone his creativity will, and is, producing financial as well as other results. [...]

[...] Now when a batch of mail arrives I have to open the letters at once to see if money has been sent. [...]

You had planned for this as a temporary arrangement — six months, at most, to save money — then you were going to paint full time. Instead, however, you stayed, supposedly to aid your parents, but this was largely an excuse because you were afraid to take the chance and paint full-time and also afraid to give up the regular money, even though you had no rent to pay.

[...] He put security in financial terms above everything, took no chances at all along those lines, and despite this, of course, is not making much money because his heart was, with the painting, most largely abandoned.

[...] In that reality, you returned from York Beach, gave up your apartment in Elmira, returned to Sayre, lived for some time with your parents, [and] commuted to your Elmira job to save money.

You felt the money might be needed for your parents, and as you continued you became more bitter at the sacrifice you felt you were making. [...]

[...] She said she has access to money, or can raise it—$1,000,000— as well as “top writing, directing, acting talent, distributorship, etc. [...]

[...] You can safely afford $30,000, with what I know of money that will come in, and with plenty to spare. [...]

Those who looked entirely to money and position are forced, and will be, to question their beliefs. [...]

[...] Rob sticks his head in doorway, says money is “there”; he’s busy, difficult for me to turn to see where “There” is; he has to say “on cabinet.” [...]

Ruburt did not want to understand, for he was afraid, in your joint framework, that you would stop painting, and not use the framework you were supposed to, to get money. [...]

[...] The fact that you were not making much money in the framework the two of you accepted, led him to work the harder, determined to publish his work.

[...] You have not acknowledged that because the paintings have not brought money; you did not want to believe they were valuable, for fear someone would take them away. [...]

[...] They also knew that you did not want more money—this is precisely what you did not want. More money simply would have made the temptation stronger. [...] You did not want advancement, and you did not want more money.

You may find yourself thinking, “I am no one to begin with,” or “The rich get richer and the poor get poorer,” or, “The world is against me,” or, “Money is wrong. [...] You may discover, again, one of numerous beliefs that all lead to the fact that you do not want to have money or are afraid of it. [...]

[...] “I will have enough money,” you say. [...]

When Ruburt took your second apartment, he did so taking it on faith and against all physical evidence to the contrary that he would have the money to afford it, and the money came. [...]

[...] An unpleasant episode, and a matter of money. [...]

Ruburt will get his money from his magazine, and will hear from them by next Tuesday.

[...] I told you that your money would arrive. [...]

(On January 16, in the 312 session, Seth said “money will be arriving shortly " page 247. [...]

[...] If you truly understood what I am saying, you would realize the importance of encouraging optimistic, jestful feelings of faith, of cultivating them—for it is far more important to collect them than money. [...]

[...] It gave you prestige and money. [...] The prestige and money, tied to your mother’s hopes, could have led you into other channels of commercial art that would have led you completely astray as far as fine art is concerned.