“Seth material” search engine (Jane Roberts)

Basically she was not ready for marriage. Beside this her marriage had a deeply symbolic, frightening connotation that was deeply hidden. She felt that marriage was a trap—the trap again, you see, and that it was a hampering of freedom. At the time this deeply-held subconscious contribution had nothing to do with her husband.

If possible he should touch her during this exercise, and it should be done morning, noon and evening. One of the shocks mentioned had to do with a death; one with an incident shortly before her marriage; marriage itself was a shock, and the third one.

[...] There is behind it all also, a great embarrassment that you must share such a sensation with others, if you experienced it within marriage—it is expected within marriage—people looking at you, in other words, if you are married can say that you do it.

Before your marriage, you and he, _______, stood against the world in a relationship that you considered intimate and isolated, one of its kind. After your marriage, because of your interpretation and attitude, it seemed you became one of others, or two amongst many.

[...] You do not want to give upon demand—after your marriage you felt as if this was the case. [...]

[...] We thought this of course a reference to Linda’s marriage. The use of the word fragments here, by Seth, led us to think that reincarnational motives might be involved in the marriage; but I did not think to quiz Seth about this when he resumed. [...]

[...] As stated, the object is the front page of the announcement of the marriage of my brother Loren’s daughter, Linda, to Dennis Murray of Brooklyn, NY. [...]

[...] My brother and his wife traveled to Brooklyn by bus to attend the marriage. [...]

[...] Previous marriage. [...]

[...] He wore light blue trousers at their marriage. [...]

[...] Previous marriage. [...]

[...] He wore light blue trousers at their marriage. [...]

[...] Then there’s Jane’s business and personal correspondence; much of her poetry; her journals; her unfinished autobiography; several novels she wrote before publishing the three Oversoul Seven books; the later essays she dictated to me, while in the hospital, about Seven’s childhood; her family history as far back as it can be researched; an objective biography of her physical and creative lives including her two marriages, and Jane’s and my struggles to survive before the advent of the Seth material. [...]

But also, in my own book I’d want to write about my second marriage. [...]

[...] Jane and I also spent the first four years of our marriage here, before moving to Elmira in 1960. [...]

[...] This surprised Jane, for she saw that Dick was angry with Barbara for teasing him about marriage. [...]

[...] As stated, Jane was quite embarrassed at the teasing Dick had taken from Barbara about marriage the evening of July 3, and by Dick’s obvious anger. [...]

(In addition, within the past month we have received an announcement of the forthcoming marriage of another D’Andreano, Louie, also in Rochester. [...]

Many men look forward to having sons, while at the same time they revere marriage as a necessary part of respectable family life, and also feel that marriage is somehow degrading — particularly to a male — and that the sex act itself is only justified if it brings him an heir.

[...] It does not have to do with your marriage. It has to do with those needs of yours that were satisfied within that marriage. [...]

[...] It means that you say, “I come to this marriage as an individual, willing to give and take, with my own good points and failings—but, I do not come to this marriage as a worthless individual willing to take from you whatever you are willing to take and to give. [...]

[...] He did not ask you to discover what needs within you were being satisfied in your marriage, anymore, my dear friend, than you asked yourself why you brought the tape to class this evening. [...]

[...] He had an unfortunate marriage behind him when you met. When he fell in love, it was wholeheartedly, and he was determined to merge his creativity and his marriage. [...]

[...] Consciously (underlined), at the start of your marriage you would both have been delighted to work together doing comic strips, fulfilling male and female roles quite conventionally, with just an added flair. [...]

He refused several marriage proposals, having determined he would not toe the mark at all in a conventional marriage. [...]

We must start with the fact that Ruburt did not feel secure as a child, but was made somewhat to feel responsible for his mother’s illness and breakup of her marriage. [...]

[...] In her dismay, she visited a psychologist, who told her that her marriage might somehow be part of the problem. [...] She was afraid that she might discover within herself the buried impulse to kill her husband, or to break up the marriage, but she was sure that her overweight condition hid some unfortunate impulse.

[...] In the beginning of your marriage you spoke often and vehemently of the limited nature of time and the importance of using it. [...]

[...] In the greater realm of activity—I am trying to put this simply—a poor marriage, for example, is on the same level as a chronic but not life-threatening disease. [...]

[...] A poor marriage, for example, bringing years of loneliness or bitterness is, again, the same thing in its way as, say, chronic kidney stones. [...]

He did not break your marriage up. Your marriage had been broken up for years. [...]

[...] The man I jog with broke our marriage up!”)

[...] Marriage and children for his own nature. [...]

[...] One of these involved Callista knowing that her marriage to Buff would be short, and his death. [...]

Some additional problems for the woman who called, and marriage to a man with something wrong with a leg, perhaps only a slight limp. [...]

[...] Marriage and children for his own nature. [...]

[...] I see a marriage for her between the age of 23 & 24. [...]

[...] A marriage and to a broken strap. [...]