“Seth material” search engine (Jane Roberts)

I have said before that you have lived many lives and that you can know these existences within yourself. [...]

[...] The portrait is a portrait of Ruburt as a woman in one of the past lives mentioned... [...]

Bega has had many lives...Do not limit yourself in your thinking... [...]

Now, in your terms, I am dead!(Very loud.) How can you then be less lively? [...]

[...] The communicators can inform living relatives that existence continues and they can do it in terms that the living can understand.

[...] Such individuals have many stages to go through following transition, and usually many other physical lives “ahead” of them.

Most individuals from these stages who communicate with “living” relatives, have not reached the time of choosing as yet, and have not completed their training.

They can relate to the living, since often their beliefs are still the same; in fortunate circumstances they can communicate their knowledge as they learn. [...]

In vital ways, Seth’s material itself is timeless, yet its production, of course, is tied to the events of our lives. I hope my notes provide that “living story” — the narrative that gives the material its flesh in our time. [...]

[...] And oh, yes, both of us also did a lot of ordinary living, such as moving and getting settled in our new home and entertaining friends now and then. [...] For how could any one event not jostle all of the others in lives so closely bound?

[...] I wanted to show the ever-widening vital reactions that Seth’s dictation of “Unknown” Reality had on our personal lives, and how those effects rippled outward. [...]

[...] I’m not putting down our cultures and science either, since they very accurately reflect the collective lives and conditions that we’ve chosen to create. [...]

[...] When you form the living sculpture of your body, which is far more important to you than any work of art, you should certainly follow the same course. [...]

As the creation of any art is intimately connected with the dream state, so is the living art of your body. [...]

[...] Yet it operates regardless of interference, and is always at your command to give health and vitality to the living sculpture in which you have your present experience.

Personality differences then obviously have a great deal to do with the kind of illness adopted, or the “mars” you may inflict upon your own living sculpture.

[...] Our young friend, in many of his lives, has been involved in traveling, living in a country in which he was not originally a native.

[...] You will have your material on past lives before you leave here.

(Amused:) I am concerned with how you live this one, you see.

[...] Peter Murtough told us that he has an Uncle John in Australia who is about 40, lives in Canberra and has two young children.

The fact is that each individual lives many lives, and that the inner self is quite aware of its own spiritual and physical dexterity. [...]

[...] In greater terms, you are working “at all levels” and at all of your own existences at once, even though it is useful sometimes to think of reincarnation as a series of lives, one after the other.

To your way of thinking some lives are lived in a twinkling, and others last for centuries, as some huge trees. [...]

[...] In reference, however, to one remark you made earlier, you have always been involved strongly in what you would call religious endeavors in almost all lives. Those lives that were not involved with religious endeavors were religiously involved in the opposite endeavors, in your terms, and we will go into that later. [...]

[...] May you live a long and merry life. [...]

[...] Instead, he bends down and says, my good man, et cetera, may you live long and hearty and God bless your life and then he pats himself on the back and thinks, I am growing more spiritual day by day. [...]

[...] And in one of your particular past lives you not only believed this but taught it, and you believed it heartily. [...]

This fifth sense, then, would enable you some freedom to cross this living tissue boundary into other living territory. Do not think of this living tissue necessarily as flesh, since those who are capable of using this sense fully are not on your plane to begin with.

In this case it would involve living tissue. [...]

[...] It merely involves direct, instantaneous cognition of the essence of living tissue.

(At 8:45 I walked into the living room to call Jane. [...]

(I left work in the writing room at about 8:45 to see how Jane was doing at the card table in the living room. [...]

[...] You will indeed begin soon a new and more enjoyable and productive area of your lives, and I bid you now a fond good evening (intently, eyes dark. [...]

[...] The idea of uprooting our entire lives at this time seems far out—especially, I told her, when she couldn’t even go with me to look at houses. [...]

[...] I have not lived many, many lives without a deep understanding of your own kind of reality and problems, but I have not had many other existences that are not physical without a deep understanding of the nature of reality as it is not apparent to you now. [...]

[...] You have manufactured it yourself to make living more comfortable. [...]

(During break there was a discussion of different planes we go to between lives.)

[...] You have every opportunity to study, to look upon your past lives, in your terms, and benefit from them. [...]

[...] Old age is a highly creative part of living. [...] I am speaking generally now, of course, for your living conditions so distort the natural situation.

[...] Some of my readers may consider themselves quite enlightened, believing, for example, in reincarnation as a series of consecutive lives. [...]

[...] Their living style, community affiliations, and political leanings will be in direct opposition to the “white-wealthy” ethic.

[...] This is one of the most creative, valuable aspects of your lives. [...]

[...] The energy from our quiet sessions will however transform your lives, and through your works the lives of millions.

[...] Any questions concerning your own individual lives or historical information, we will do our best to deliver.

The book he is writing now is merely a beginning, and an excellent one, the act of faith from which other developments in your own psychic lives will grow. [...]

[...] (Jane stood up and hunted for a cigarette while she spoke.) You live together as man and wife. [...]

[...] As you might change your sentence in the middle from one version to another without even being consciously aware of it, so as you live your life you also work with probabilities. You are the self who speaks the sentence, and you are the self who lives the life. You are larger than the sentence that you speak, and larger than the life you live.

[...] While your consciousness thinks of itself in physical terms, whether you are living or dead, then you will still largely utilize thinking patterns with which you are familiar. [...]

[...] When you are creating a product or a work of art, the results will have much to do with your ideas of what the product is, or what the work of art is — so your ideas about your life, or life itself, will also have much to do with your experience of it as a living art.

[...] You will believe that you must use them in order to, say, paint the living portrait of your life. [...]

Give us a moment… Your world, then, is the result of a multidimensional creative venture, a work of art in terms almost impossible for you to presently understand, in which each person and creature, and each particle, plays a living part. [...]

[...] Even most people who are involved in creative work often apply their additional insights and knowledge only to their art, however — not to their lives. [...]

(A one-minute pause at 10:14.) Give us a moment… On any given day the events of your private lives fit within the larger pattern of world events, in which they have their context. On any given night the intimate events of your dream lives also exist in the greater context of the world’s dreams — in which they have their reality.

[...] You have an inner system of communication, then, in which the cells of all living things are connected. [...]

This will not be a dry, intellectual exploration, because the intent itself will begin to trigger within your lives the emergence of hints and clues as to your own immersion in Framework 2’s creativity.

[...] At the moment Louie is living with his parents, not being married, and is working in his father’s place of business. Louie had also remarked that his speech impediment had not bothered him as much while he lived in California, as it does currently.)

(We sat in the fully lighted living room. [...]

(Here of course Seth refers to Bill and Ida, having given some information on their past lives in various sessions, many sessions ago.)

The other man was not involved with any of you in past lives, nor do I see him indeed at all in England in any era. [...]

[...] Often such people are in a very depressed state of mind, so that they have already closed their thoughts to the reasons for living, and only keep reminding themselves of the availability of death.

No matter how depressed you may feel, you do still want to live, or you would be dead by now — so there is a part of you that seeks life and vitality, and that portion also deserves expression. [...]

[...] The idea of making choices should be stressed: to live or to die is indeed each person’s choice.

[...] Your father was in the living room and your mother in the bedroom. [...]

(This agrees with my circumstances when I lived at home. [...]

He may also ask your opinion as to whether or not he should ask his mother to live with him. [...]

(“Has this love of words and images always run through our various lives?”)

[...] Using it, with practice, you can feel the living emotional element of any living thing, rejoicing in its vitality. [...]

[...] We can live a wiser, more productive, happier physical life because we begin to understand why we are here, individually and as a people.

[...] I felt them, in my living room. [...]