“Seth material” search engine (Jane Roberts)

[...] Jane and I ate supper with the lights off and the blinds drawn, but by the time she went to work Jane decided to turn on the lights in her writing room, and see them should they return. [...]

[...] And then from this light and spiritual form, I will bellow. [...]

[...] And it exists as light and as the impetus for other dimensions and consciousness. [...]

[...] Yet even though Seth also discussed those psychic frameworks to some degree in a dozen sessions for the book, still he finally took that break in dictation to ‘re-educate’ us, looking at our own previous beliefs and those of the world at large in the light of Frameworks 1 and 2.

(9:35.) Men’s dreams were also different in those times, filled far more with metaphysical images, for example, more alive with saints and demons — but overall one framework of belief existed, and all experience was judged in its light. [...]

(While delivering this paragraph Jane walked into the kitchen, still in trance, to rummage for a book of matches; she wanted to light a cigarette.)

(10:23.) In a given room, plants will grow more effectively in a particular area than in other areas, providing that both areas contain such necessary requirements as light. [...]

[...] She felt a rather light sense of strain from the weekly routine, she said, and thought the change would be revitalizing. [...]

[...] A man with light brown hair, medium height. [...]

[...] Now, when you let it be known telepathically that your awareness of sensitivity and love has been reawakened, others can perceive it and come to it as a light. [...]

[...] This date is very interesting, in light of the 1200 B.C. Seth mentions for Ron, and the conflict within his group over Baal. [...]

[...] I was engaged in a contest to see if I could help Jane get ready for bed, set the alarm and the electric blanket, turn out the bedroom lights and open the curtains and a window—all before I gave out in a heap on the bed. [...]

[...] I felt many reminders and remnants of the experience throughout the next day—Tuesday—especially in the arms and legs: They were often loose and floppy, with a peculiar lightness and ease of motion in the joints particularly. [...]

[...] You project upon it your own concepts of space and time, and try to interpret the action in their light.

[...] The woman wearing a light-colored hat and dress; either this or the dress and hat are in strong sunlight. [...]

More than this however, your abilities and your challenges will appear to you in a much clearer light, and uncluttered focus. [...]

[...] In any case he will be replaced by a man with white or whitish blonde hair—light hair, initially from the Midwest, and he may have an accent. [...]

[...] Some early chapters in our latest book (Mass Events)¹ throw light on reasons other than biological ones, for such circumstances.

[...] In back of her and off to her right, our cats, Billy and Mitzi, were crouching in the light cast on the rug by one of our homemade lamps from its position on a low bookcase: An insect, seemingly mesmerized by the illumination, was flying round and round inside the bright cone of the lampshade. [...]

[...] (See the 618th session in Chapter Three.) If to you this means, “I give great attention to seeing that my children brush their teeth, eat enough, and perform properly,” then you will interpret the “better and better” suggestion in that light.

[...] It becomes very difficult to explain such occurrences in the light of the plots and scenes provided by your usual mental programming. [...]

[...] (See the 644th session in Chapter Eleven.) From the present you have hypnotized yourself, viewing the past not as it was to your experience, but as it appears now in the light of your current beliefs.

[...] There were some—some (underlined) distortions, simply because the painting was interpreted in the light of your present knowledge. [...]

I want it understood (pause) that the accomplishment (pause) is breathtaking in its grandeur — more so because man formed from his psyche such a multidimensional spiritual drama that its light struck upon this or that person, this or that place, and formed a story (pause) more powerful than any physical event could be — hence its power (emphatically).