“Seth material” search engine (Jane Roberts)

[...] To have Jane’s work studied and respected for what it is, on its own, is evidently asking the impossible of most people. It appears that intuitively at least Jane has made the right decision, to concentrate upon the books; at least they offer something the way she wants it to be. [...]

[...] Last Tuesday I mailed to Prentice-Hall Jane’s second novel on Seven. [...]

JANE’S DREAM

JANE’S NIGHTMARE

(A note by R. F. B.: This is the second and last verse of a poem Jane wrote in April, 1952, when she was 23 years old. [...]

[...] Clumps of them (Jane gestured; her delivery was quite emphatic and animated) will be drawn together, literally sealed, only to drop away and disperse once more. [...]

[...] Jane’s delivery was quite emphatic and animated throughout. [...]

[...] Jane’s room was pleasantly cool, though. [...]

(The windows were wide open and a refreshing breeze filled 330 as Jane went into trance. [...]

(This portion is typed up by Jane Butts from notes taken on the spot by Robert Butts. [...]

(Add data on Ruth K. almost “going under” as she watched Jane.)

(This portion is typed up by Jane Butts from notes taken on the spot by Robert Butts. [...]

(Rachel Clayton almost “going under” as she watched Jane. [...]

(As I said to Jane yesterday, now that I’m back painting it seems incredible that I ever left it—even though when I chose to concentrate upon Mass Events this summer I thought that was a good decision also. [...]

(Jane said that she’d felt like having a session several times recently, but that obviously I didn’t since I’d fall asleep on the couch, and so forth. [...]

(Jane spoke very intently in trance. [...]

JANE’S NOTES

[...] Jane’s husband, Rob, using his own shorthand system, takes down Seth’s words verbatim. Above, as Jane goes into trance, she—as Seth—removes her glasses and has thrown them onto the couch. [...]

[...] This represents Jane’s and Rob’s Whole Selves, the sum of their reincarnational personalities. (Robert Butts) Below, Jane and Rob in the same pose for comparison. [...]

Jane Roberts (Rich Conz)

JANE’S HANDWRITTEN NOTE,
RELATING TO SETH’S COMMENTS IN SESSION 313

---Jane Butts

(Today Jane had been reading Experimental Psychology by C. G. Jung, first American edition, published by Jung’s heirs in 1968. [...]

[...] Jane said she thought the delivery had taken perhaps ten minutes instead of the twenty-five it had actually taken. [...]

[...] The photographs will be used in Jane’s book on the Seth Material.)

[...] “Seth was doing it slow so that I got it right,” Jane said. [...]

[...] “Boy,” Jane said after she was out of an excellent trance, “I had the feeling we were getting some new stuff. [...]

[...] But not quite of the session: Seth continued with a page of material for Jane and me about our work, so things actually wound up at 12:15 a.m.)

(And which Jane is well aware of.)

(Before tonight’s session I had emphasized to Jane that I was very much interested to learn whether we had uncovered all the reasons for her symptoms through the various means we have tried—our pendulums, dreams, these sessions, etc. [...]

(I had not told Jane this.)

(1. Why did Jane have to start using the typing table as an aid in walking, approximately a year ago from last June, when before that she could get around without it? 2. Why did Jane have to start using the chair on wheels to get around the house, starting last May? [...]

(I had several questions for Seth, which had grown out of the talk Jane and I had after breakfast. [...]

[...] Jane’s quotations in them do apply, however, to material Seth had given as dictation for Psyche.)

[...] Jane was rather unhappy when she came out of trance. [...]

(Before the session I’d asked Jane if Seth could comment upon the reported drop in sales of Seth Speaks recently as reported by Tam Mossman at Prentice-Hall. [...]

[...] When the ESP book is reprinted (Jane heard about this from F. Fell this week), readers will largely be already acquainted with my work, and bring that extra knowledge to that early book (smile), hence enriching its potentials for them. [...]

JANE’S NOTES