“Seth material” search engine (Jane Roberts)

This is also excellent therapy whenever you feel you are overly concerned consciously, and will open the doors to inspiration.

[...] It increases all healing functions, and despite churchly tales to the contrary, it regenerates and inspires the creative abilities.

While I’m writing this book in the three-dimensional world, for example, the source material for it comes from the other side of consciousness — that dimension that is revealed to us in dreams, inspiration, trance states and creativity. [...]

[...] Often, evidence of it emerges into consciousness in the guise of sudden hunches or creative inspiration.

[...] Ghost images from the future were one thing, inspiring mankind. [...]

(10:57.) These developments, with others, are already triggering changes in man’s behavior, and inspiring him toward further alterations of consciousness. [...]

To a lesser degree the same question applies to any highly inspirational creativity—which, again, has always been questioned by the church organization, which has been firmly against even, say, individual interpretation of the Bible itself. [...]

[...] They will inspire changes in your own palette.

[...] I’ve often wondered if at least some of my motivations for working this way have reincarnational or counterpart¹ inspirations. [...]

[...] She simply experienced sudden new thoughts, and since she is a poet, these appeared as poetic inspirations. [...]

[...] Relaxing for her nap afterward, she asked for a message from her creative, spontaneous inner self, the part that keeps her body alive and gives her life meaning and inspiration. [...]

[...] In all modesty, I think that my art and its subject matter are unique; that for each one of us dreams are an original and unending source of inspiration and knowledge.

[...] Seagull does not intellectually reach him—that is, it does not intellectually by itself inspire him, while the phenomena behind it does.

At the same time, in psychoanalysis you are often programmed to believe that the “unconscious,” being the source of such dark secrets, cannot be counted upon as any bed of creativity or inspiration, and so you are denied the help that the inner portions of the self could give to your consciousness.

[...] It is for this reason that inspirations and revelations are so often a part of the dream condition.

[...] He should know that inspiration does not come from the ego. [...]

[...] I was familiar with inspiration in my own work, but this was as different from ordinary inspiration as a bird is from a worm!

[...] Paradoxically, her inspired reception of the material for Psychic Politics came about not only because of her innate knowledge feeling-tones, but because she gave that basic creative phenomenon expression in Politics.

[...] Her inspiration had been the result of her quite unexpected, humorous, appalling — yet finally illuminating — encounter this morning with a visitor who’d attended her ESP class last night.

[...] It was precisely in the area of artistic expression that the inspirations might quickest leap through the applied dogmatic framework. The political nature of inspirational material of any kind was well understood by the church. [...]

[...] Early in February she wrote an essay on Seth as a “master event.”⁴ That piece was inspired by her material in an old journal; Jane elaborated upon it in an effort to fit events from our own lives into our national consciousness. [...]

“I believed in the soul’s survival first of all, and inspired the ‘creative self to step out as freely as possible even while in my heart I [also] believed in the existence of sin and devil. [...]

[...] I did grab hold several times, and with the God of Jane book, the new inspiration there and the material on following impulses, made some very good improvements. [...]

(The session is indeed an excellent one, and Jane’s delivery, after a slow start, had often been intent and inspired.)

[...] In this case at this time, however, they can serve as valuable springboards to release from your own creative areas new triggers for inspiration and understanding, and hence for therapeutic development. [...]

[...] He is learning indeed the use of a different kind of inspirational time, which conflicts with his old ideas of so many hours.