“Seth material” search engine (Jane Roberts)

(Pause at 8:30.) His fears have to a strong extent come out into the open: the fear that he will not be able to go ahead or of blockage, that fear being physically translated—but again, it stands for an inner fear that he has creatively blocked, or psychically blocked, that he has learned—that his own fears stand in his own way and cannot be resolved, or that he is at an impasse. [...]

[...] (Long pause.) Both of you have always been strongly creative, have always been concerned with translating inner reality outward.

Human beings, and all creatures for that matter, have a strong inner impetus leading to action and expression. [...]

(I hardly expected this, since my own inner world is often in turmoil.)

(And now verbatim:) The fireplace in the hill house is advantageous, as the one in the house on Foster Avenue would have been, simply in that the open hearth represents an inner source of strength and stability. [...]

(“On a biological basis, impulses are like [or can be compared to] emotional instincts; individually tuned, so that ideally impulses are stimuli toward action—that results as a consequence of complicated inner ‘unconscious’ computations. [...]

This is rather an important session, and your dream contests represent your desires to pay more attention again to inner realities. [...]

[...] Many individuals come into a world for the purpose of changing it for the better, and there is no more efficient way of doing that than by the promotion of ideas—for no exterior altered circumstances can ever be applied from without unless the inner foundations have been laid.

[...] It was something like attending an inner movie. [...]

My inner gaze traveled up the hills beyond the village. [...]

[...] On a superficial level, it represented his inner knowledge that he is not physically afraid of childbirth. [...]

[...] Seth says that we use our inner perceptions as we use our outer ones — to discover more about things in which we are interested. [...]

[...] Your conscious mind was fully taken up with your activities at the art department, giving the inner self full rein.

It is because of this instantaneous creation and projection of inner reality outward into form that you experience time within the physical system — to train you, to give you time to learn to handle your own creations. [...]

I use the word directly loosely, for only the inner senses can really contact them without the necessity of distortions. [...]

[...] At the moment of perception the traveling consciousness perceives through the inner senses, and by itself automatically makes the necessary adjustments so that the ego can perceive the data in its accustomed way.

[...] With the large freedom provided by the conscious mind, however, man could stray from that great inner joy of being, forget it, disbelieve in it, or use his free will to deny its existence.

[...] (Long pause.) The inner conflict, you see, appears in imbalances now within the system, where sets of muscles (pause) battle with other sets: this setup, the nervous hip disorders. [...]

[...] Abilities must be ultimately tied in with your greatest inner aspirations—not tied down by your fears.

[...] This arena is not a place, of course, but an inner state of gestalt consciousness. [...]

[...] It very willingly looks inward toward those areas of the inner self’s experience to see what it can find for its own use, quite like an explorer searching for resources in virgin territory.

[...] The applied use of the imagination is one of the most distinguishing marks of your species, and the imagination is your connection between the inner worlds of reality and the exterior world of your experience. [...]

[...] But you would have felt free to follow the inner scheduling.

(“All of the personnel, patients, the entire community or social structure of such an establishment reinforce and promote the inner belief system about which they all congregate,” she continued. [...]