Books:
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NoPR,
UR1 2,
NotP,
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DEaVF1 2,
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TES1 2 3 4 5 6 7 8 9,
TPS 1 2 3 4 5 6 7,
ECS 1 2 3 4,
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Results 1 to 20 of 64 for stemmed:ink
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TES5 Session 237 March 2, 1966
print
handprint
Myhalyk
ink
steeple
– The Early Sessions: Book 5 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 237 March 2, 1966 9 PM Wednesday as Scheduled
(“A violet. Red, and a grading to yellow.” This is very interesting to me personally; Jane also recalls these details. After spending a couple of hours trying to make a good handprint, I gave up and began cleaning the ink from my hand. This proved to be a job. As I applied scouring powder I was surprised to see the black ink on the palm turn what might be termed a red with violet undertones. This effect at once reminded me of reading that the quality of a black ink can be judged by its behavior when diluted: If a red color develops it means the ink is of inferior quality. The ink I had used was stamp-pad ink purchased at a 5-and-10 downtown.
(The 37th envelope experiment was held during the session. See the tracing of the envelope object on page 327. It is a print of my right hand, made with black stamping ink on paper. I made it on February 27,1966. Jane had picked up a book on hands at the library recently, and this got us interested in making such prints.
(Jane of course saw this particular print, along with perhaps twenty others I made at the same time. There is nothing about this one to distinguish it from many of the others. Following the instructions in the book, I traced the outline of my hand in pencil while pressing the inked surface against the white paper. The print was sealed in the usual double envelope between the usual two pieces of Bristol.
•
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TES7 Session 296 October 24, 1966
Marjorie
Ward
Bill
blue
Buck
– The Early Sessions: Book 7 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 296 October 24, 1966 9 PM Monday
[...]
But the paper the object is manufactured from is a bright yellow, and the yellow is printed upon with blue ink.
[...]
But in this case the blue ink is so dense and strong that it prints as blue on the object.
[...]
[...]
The object is printed in dark blue ink on yellow paper, with the writing in carbon blue.
[...]
[...]
The work, involving inking, arrived Sunday.
[...]
•
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TES6 Session 269 June 20, 1966
burlap
newspaper
knife
panel
electromagnetic
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 269 June 20, 1966 9 PM Monday
[...]
Printing or black ink, I do not know.” The black ink connection is interesting to me. As I worked with the materials on the newspapers, I wondered whether it was such a good idea, fearing that perhaps the acrylic glue I was using might dissolve the black printing ink enough to cause it to dirty the white burlap I was handling.
[...]
I do not know if Seth referred to this, or merely black ink being connected with newspapers.
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WTH Part One: Chapter 2: February 2, 1984
Jake
Bantam
shaky
staff
barber
– The Way Toward Health
– © 2011 Laurel Davies-Butts
– Part One: Dilemmas
– Chapter 2: Biologically Valid Thoughts, Attitudes, and Beliefs
– February 2, 1984 4:02 P.M. Thursday
[...]
In the dream I was drawing foot-high oval letters in black ink, but was worried about doing a good job because my hand was shaky. Then I realized I could cut out the letters from cardboard or some such, and ink them in that way.
[...]
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TES5 Session 212 November 29, 1965
temperature
correlations
test
Martin
wall
– The Early Sessions: Book 5 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 212 November 29, 1965 9 PM Monday as Scheduled
[...]
The test object is simply a drawing in black ink of the same symbol used in the first envelope test, of August 18,1965, in the 179th session.
[...]
I made the drawing for this evening’s test on white paper; the paper was thin and the heavy black ink struck through the paper rather clearly.
[...]
(As stated on page 95, the black ink drawing struck through the thin test paper so that it was visible on both sides of the paper.
[...]
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TES7 Session 304 November 28, 1966
list
Bernards
scramble
package
Tubbs
– The Early Sessions: Book 7 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 304 November 28, 1966 9 PM Monday
[...]
On a sheet of white paper torn from a pad, same color ink as the tracing on page 189, folded as indicated, placed between two pieces of Bristol and then sealed in double envelopes.
[...]
I do have the impression of dark color and white, small handwriting perhaps on the back, in ink.
[...]
(“I do have the impression of dark color and white, small handwriting perhaps on the back, in ink.”
[...]
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TES6 Session 252 April 20, 1966
sculpture
bronze
Bill
column
Macdonnel
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 252 April 20, 1966 9 PM Wednesday as Scheduled
(“Blue green, written with a pen, or the color of blue ink.” I wrote the date at the top of the object with a ballpoint pen containing blue ink—the same pen used to duplicate this series of numbers on the copy of the object included with this session.
[...]
[...]
Blue green, written with a pen, or the color of blue ink.
[...]
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TES7 Session 290 October 3, 1966
Wendell
tunnel
studio
reunion
Crowley
– The Early Sessions: Book 7 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 290 October 3, 1966 9 PM Monday
[...]
The envelope object is white, with both the printing and typing on it in black ink. Wendell’s letter is also black and white, though his signature is in blue ink.
The i-n-c was a distortion or misrepresentation of ink, i-n-k, for inking comic strips.
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TES1 Session 13 January 6, 1964
enzymes
chlorophyll
solidified
mental
wires
– The Early Sessions: Book 1 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 13 January 6, 1964 9 PM Monday as Instructed
[...]
I wrote these notes on the morning of January 8; they came to mind while I was working on an ink drawing of a complicated tree bearing within it two birds’ nests.
[...]
(The ink sketch I did more than a year ago represents man bound by his senses, yet peering out through the wires trying to see more.
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TES6 Session 240 March 9, 1966
aaa
membership
mci
card
station
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 240 March 9, 1966 9 PM Wednesday As Scheduled
[...]
This particular session was witnessed by Bill Macdonnel, and during it he made two pen and ink drawings of an apparition he claimed to see in a doorway of our apartment.
[...]
The address was in ink, and printed.
[...]
[...]
It is printed entirely in dark blue ink on glossy white heavy paper.
[...]
•
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TES7 Session 281 August 29, 1966
Barbara
Dick
Andreano
wedding
poem
– The Early Sessions: Book 7 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 281 August 29, 1966 9 PM Monday
[...]
The ink has a symbolic association for you personally, a healing one you see, and its presence, according to my recommendation, has the effect of a mood tonic.
[...]
The announcement was printed in black ink on white, as is usual.
[...]
[...]
Jane wrote the poem with a dark colored pen; the ink is actually a gray-blue, but hardly aquamarine.