“Seth material” search engine (Jane Roberts)

[...] [Pause.] “I have the impression of something far away; coming closer. [...] I also have the impression that somebody could take me over rather completely, if I’d let them, with some rather emotional stuff; that I’d go through something I don’t particularly want to, full blast.”

(At l0:15, Jane decided to try giving impressions. [...]

[...] I had two impressions; one of an older person, the other of a young and vulnerable girl.

[...] Jane had the impression of police cars during the experience but they hadn’t reached her yet; although the girl knew the police were near.

[...] The mayor is also to be present upon this occasion, and Ruburt thought subconsciously how pleased her friend, Edward Briscoe, would be in his simple way—in the old days—to be present, and how impressed he would be with the mayor.

[...] I have the impression of a date, 1936 or 7. Perhaps this is when he obtained the box or its contents, I believe as a gift. [...]

[...] These are impressions.

[...] She had no special thoughts about the evening’s test data except to say that none of the impressions she heard herself giving made any sense to her.

HIS IMPRESSIONS GIVEN, ON MAY 5, 1967.

(As we talked Jane impressed upon me that she’d definitely picked up that a household pet would help our neighbor Joe Bumbalo a great deal — she wants me to be sure to impress upon Margaret Bumbalo that this is the case; she felt it strongly, it wasn’t just a generalized idea, Jane said.)

[...] (Pause, eyes closed.) These are simply impressions. [...]

[...] These impressions must then be translated into terms that can become physical.

In our case the impressions emerge as verbal. [...]

[...] I can at times impress your physical reality, but the focus of my existence no longer involves a three-dimensional psychological structure. [...]

[...] These are impressions.

[...] I am saying that the image I see gives me this impression. [...]

That was a result of a square impression. [...]

[...] I am saying that the image I see gives me this impression. [...]

When I receive impressions at this level, I am not always certain of their origin. [...]

An impression here, having to do with distance to the west of you, possibly California, a letter or communication—I do not know its relative importance.

[...] She said the impressions seemed to come to her from another level, between that of Seth and herself— “sort of on a different radio signal,” but she couldn’t explain.)

[...] And yet their effect is much more durable, and they impress and to some extent manipulate physical realities, in their strong and sometimes explosive emergence into your universe. [...]

I cannot impress upon you too strongly that imagination is another such basically nonphysical reality, with a basis however, and interrelationship, in both dream and matter. [...]

(Now came a second image, partly visual, partly impression. [...]

[...] I had the impression of a doctor and a nurse, ushering someone into a side room and then closing another door that blocked my “vision.” [...]

These are impressions.

The impression of fine, finely patterned edges. [...]

(“The impression of fine, finely patterned edges. [...]

[...] I tried to give the impression of salt, to bring Ruburt to salt and pepper. [...]

[...] Toward the last part of the session her delivery was very strong and forceful; very fast and emphatic and impressive; her eyes were closed for the most part, and she was really out.

[...] (Pause.) These are impressions: 3 6. I will pick this up later. [...]

Simply an impression, that will be connected at that time.

JANE’S IMPRESSIONS:
THEODORE MULDOON, APRIL 8, 1969

[...] These are impressions. [...]

The impression of a maze (or amaze?). [...]

[...] Again, a capital letter impression, a large M. Minneapolis, Mississippi—that length of word, with a place description connected.

[...] A large A impression. [...]

[...] The data is impressed upon them from within. [...]

[...] In simple terms, you choose ahead of time the kind of body you will inhabit and impress. [...]

[...] This image is impressed into matter in this way: You tune yourself into a highly specific dimension of reality. [...]

(At 8 PM Tuesday, Jane wrote down 13 impressions, all dealing with John Bradley’s supposed activities. [...] She wrote the impressions in an offhand manner, she said, without straining; she had no idea at the time as to whether any of them were correct. [...] Going over the list with us in the course of the evening, he confirmed 10 of Jane’s impressions as correct. [...]

I have the impression: clor-ra-door (my phonetic interpretation) but do not know to what it refers. [...]

I have an additional impression here, on our friends. [...]

[...] This shows that sense impressions are independent, you see, of objects.

Another impression, separate from the first, with music—a concert perhaps. [...]

Another impression separate from the rest. [...]

[...] See page 108: Three other impressions checked out.

[...] These are impressions.

[...] Jane said she saw the photo in her mind’s eye, but that as she continued to speak, she eventually received a hazy picture, a “nebulous impression,” of a bar. [...]

We picked up some valid impressions. [...]

[...] These are impressions.

For some reason the impression is chopped off, so that only the top portion is seen. [...]

Impression of light-colored hair on two, and a similarity. [...]

(First Question: “Can you be more specific about the three people?” “For some reason the impression is chopped off, so that only the top portion is seen. [...]

[...] Now, it is possible but difficult to catch your own consciousness in the act of its own natural perception, before impressions become crystallized in physical terms. [...]

Perhaps we shall give some impressions concerning the Bernards before we meet them. [...]

[...] Some kind of a missionary connection, and a two-story house that gives the impression somehow of another story. [...]

(Pause.) They help the individual impress the world — that is, to act upon it and within it effectively. [...]

[...] Again, impulses are doorways to action, satisfaction, the exertion of natural mental and physical power, the avenue for your private expression — the avenue where your private expression intersects the physical world and impresses it.

[...] It seems you cannot impress the world as you wish, that your ideals must always be stillborn.

[...] These are impressions.

These are further general impressions. [...]

[...] My mother’s next-door neighbor acquired a black kitten a few months ago; the animal has made quite an impression on my parents, who enjoy watching its antics in their own yard as well as the neighbors’.

(9th Question: “Well, why don’t you tell me something about the four people?” “These are further general impressions. [...]