“Seth material” search engine (Jane Roberts)

[...] She had some images and these will be mentioned in sequence.

[...] Jane had one of her images here, seeing mentally two small objects in a space resembling the usual envelopes; she saw no detail however.

I gave him a visual image of the letters, and this is fairly new for him. [...]

[...] Those fears of your father’s were given a less frightening, more conventionalized and safer image in John Wayne, who escapes such situations by refusing intimate entanglements, and is “free to roam the range.”

(10:42.) You are the “victor” of the dream, in that you are apart from those images.

Now he is used to dealing with words, and you with images. [...]

Pleasant thoughts and images will help as he falls asleep. [...]

[...] If I speak in analogies and images it is because I must relate with the world that is familiar to you.

[...] I began the drawing in reference to an image Seth had conjured up in an earlier session on the fifth dimension. [...]

Taken together, the Inner Senses will give each individual a picture of reality as it exists independently of physical matter, an image of the inner identity that is his own. [...]

[...] Now I will want you shortly to imagine other such lines or roads, so pick an image for yourself, that you can use. [...]

[...] I hope to show through the entire book that the reader himself is independent of his physical image, and I hope, myself, to give him some methods that will prove my thesis to him.

[...] On occasion he speaks through my image, as in normal sessions. [...]

“And so there may be others now (like Seth), also without images, but knowing — others who have been what we are and more — others who remember what we have forgotten. [...]

[...] And we listen, but usually we try to squeeze their messages into concepts that we can understand, cloaking them in worn stereotyped images. [...]

I would give some thought then to my self-image, and to the image of an individual who is highly gifted as a painter, as a writer, as a thinker, and I would endeavor to loosen myself from any bonds that prevented me from using those abilities—in particular any sexual ones that defined my identity in terms of money alone.

Whenever you cut off your painting, you have difficulties—and that also involves this internal provincial concept of the male image, for you get upset about your painting because it does not bring in money, when a male’s pursuit should. [...]

[...] Because of your love of images, and Ruburt’s love of words and rhythm, you will both still utilize these characteristics. [...]

(“Has this love of words and images always run through our various lives?”)

This sort of behavior continues of course whether you are waking or sleeping, and is highly involved in the construction of dream images and constructions. [...]

[...] Ruburt for example has found out what certain mental patterns will do to his image, and he is now attempting to undo the damage that became apparent. [...]

[...] Your image is one that is very weak, and this you must change; for the image, again, is built upon false premises—and I will give each of you more specific particulars whenever you want them.

[...] Your present image, for example, seems to be the only one possible for you, permanently yours for your lifetime at least; and what happens to it appears almost inevitable. [...]

[...] You might hear a voice mentally, for example, or see a flashing image. [...]

[...] It was not, for example, precognitive, but it did inform you — using images and feelings — of the picture that was sometimes painted in different terms by your conscious thoughts. [...]

[...] “I sort of had images while that was going on,” she said, “but I couldn’t tell you what they were.” [...]

[...] She did not like to have her picture taken on the one hand because she feared disclosure, and on the other hand, because her sense of perfection was affected—particularly in later years by an imperfect image.

[...] I had no actual memory of leaving my body, and I must have fallen off into normal sleep for a moment, because the next thing I knew, I found myself out of my body, hovering just above my sleeping physical image.

[...] You perceived in a ‘normal’ fashion, which should show you again that perception is not dependent upon the physical image. [...]

[...] You will know the plane to be a dream image, but be able to retain it for your convenience if you want, so that you do not fear falling at first.

[...] If you think of a dog, for example, quite unconsciously you form the image of a dog, which you then perceive.

[...] To rid yourself of your fear you formed the image of a man falling, but you gave him a parachute.

[...] She also said she would recall any images when we went over the data.

(Some confusion of clairvoyant images here could have led Jane to assign the bust attribute of Lincoln to the three people on the line below the stamp.

Now: Artificial guilt is still highly creative in its way, an offshoot made in man’s image as his conscious mind began to consider and play upon the natural innocent guilt that originally implied no punishment.

[...] He is the one who sets those standards in his own image.

[...] Your own physical body provides you with sturdy corporal images, exterior presentations. Your dreams do not suddenly appear exteriorized upon your images in place of your features, for example. [...]

[...] You did not want to be reminded particularly of your father’s condition, and subconsciously you transposed the image of a casket upon the house, so that in sealing up the windows you were sealing up a casket. [...]

These are not sharp images, but he already begins to build up ideas of shape and form. [...]