“Seth material” search engine (Jane Roberts)

[...] You cannot love yourself and hate the emotions that flow through you at the same time; because while you are not your emotions, you identify with them so often that in hating them you hate yourself.

[...] Man identified with their easy flight up the cliffsides, and followed the sounds of their songs to safe clearings. [...]

[...] And many who are cured, of course, come down with other conditions if they have not succeeded in identifying their own fears sufficiently with the author’s.

[...] If the unknown reality exists, it is because you play one melody over and over and so identify yourself, while closing out, consciously at least, all of the other possible variations that you could add to that tune.

[...] From the private session for January 30, 1974, which I quoted in Appendix 2: “Your father’s creativity … had its side of secrecy, privacy and aloneness … you identified creatively with his private nature. [...]

He is beginning to identify better with his body—a very important point. [...]

You identify with the prophet, not only as yourself but as the representative of your kind. [...]

[...] [But] more and more man began to identify himself with his exterior environment. [...]

[...] Fears turn into severe anxiety, however, formless, when they are not identified and understood. [...]

[...] (Long pause.) Remember, again, that the Sinful-Self designation is a method of identifying certain attitudes. [...]

We are bringing some beliefs out in to the open, yours as well as Ruburt’s. You identified in many respects with your father, though often you felt forced to take your mother’s part. [...]

[...] I want you to stop identifying completely with the conscious self that you know, and I want you also to remember that I told you that though physically I may not speak to you individually in class, the messages are given, and I expect you to be expert enough to receive them. [...]

(10:10.) In the Last Supper when Christ said, “This is my body, and this is my blood,” He meant to show that the spirit was within all matter, interconnected, and yet apart — that his own spirit was independent of his body, and also in his own way to hint that he should no longer be identified with his body. [...]

(The skull is at least two hundred thousand years old, and represents a race not identified before. [...]

[...] Art identifies with the subject. [...]

[...] Also, part of man’s reality contributes to that trans-species organization, but he has not chosen to focus his practical daily consciousness in that direction, or to identify his individuality with it. [...]

[...] The Romans identified Zeus with their own supreme god, Jupiter, or Jove.

You read your own consciousness now in a kind of vertical fashion, identifying only with certain portions of it, and it seems to you that any other organization of perception, any other recognition of identity, would quite necessarily negate your own or render it inoperable. [...]

(10:14.) These include man’s ability to identify with the forces of nature, to project portions of his own psychological reality outward from himself, and then to perceive those portions in a revitalized transformation—a transformation that then indeed can alter physical reality.

It is, indeed, to help you identify. [...]

[...] But he [or she] is discouraged from identifying with the blood of his physical being, so that even his own blood seems alien.